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Quentin Tarantino : Poetics and Politics of Cinematic Metafiction /
"Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |z 1496819209 | ||
| 020 | |z 9781496819161 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Roche, David, |d 1976- |e author. | |
| 245 | 1 | 0 | |a Quentin Tarantino : |b Poetics and Politics of Cinematic Metafiction / |c David Roche. |
| 264 | 1 | |a Jackson : |b University Press of Mississippi, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (352 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; QUENTIN TARANTINO; Title; Copyright; CONTENTS; Acknowledgments; Introduction; CHAPTER ONE "What Shall the History Books Read?" History and Film History; CHAPTER TWO "Black Man, White Hell" Identity Politics Vol. 1: Race and Ethnicity; CHAPTER THREE "That's the Excuse You Guys Use Whenever You Want to Exclude Me from Something" Identity Politics Vol. 2: Gender (and Sexuality); CHAPTER FOUR "Revenge Is Never a Straight Line" A Neoformalist Approach Vol. 1: Narrative Structures and Paradigms | |
| 505 | 0 | |a CHAPTER FIVE "Everything's the Same Except for One Change" A Neoformalist Approach Vol. 2: Narration and StyleCHAPTER SIX "Lookin' Back on the Track, Gonna Do It My Way" The Use of Preexisting Music; CHAPTER SEVEN "Come On, Let's Get into Character" Acting and Theatricality; CHAPTER EIGHT "He's Just Not Used to Seein' a Man Ripped Apart by Dogs Is All" Violence and Spectacle; Conclusion; Notes; Filmography and Bibliography; Index | |
| 520 | |a "Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European."--Provided by publisher | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Tarantino, Quentin. |2 fast |0 (OCoLC)fst00347688 |
| 600 | 1 | 0 | |a Tarantino, Quentin |x Criticism and interpretation. |
| 650 | 7 | |a Film criticism. |2 fast |0 (OCoLC)fst00924259 | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Critique cinematographique. | |
| 650 | 0 | |a Film criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/60672/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||