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170308s2017 msu o 00 0 eng d |
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|z 2017011365
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|a 9781496813367
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|z 9781496813329
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|z 1496813324
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|z 1496813367
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|a (OCoLC)1080549141
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|a MdBmJHUP
|c MdBmJHUP
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|a Tearing the World Apart :
|b Bob Dylan and the Twenty-First Century /
|c edited by Nina Goss and Eric Hoffman.
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|a Jackson :
|b University Press of Mississippi,
|c [2017]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©[2017]
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|a 1 online resource (204 pages).
|
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a American made music series
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|g Chapter one.
|t Visions of the Flood : masked and anonymous between "Love and theft" and Modern times /
|r Alberto Brodesco --
|g Chapter two.
|t Dylan's Together through life : rolling in places /
|r James Cody --
|g Chapter three.
|t Down the foggy ruins of time : Bob Dylan and the performance of timelessness /
|r Andrea Cossu --
|g Chapter four.
|t Tempest, Bob Dylan, and the bardic arts /
|r Anne Margaret Daniel --
|g Chapter five.
|t You can't repeat the past? Bob Dylan's "Love and theft" and the events of 9/11 /
|r Jasper Doolaard --
|g Chapter six.
|t A sudden blow : the story of violence in "Love and theft" and Modern times /
|r Nina Gross --
|g Chapter seven.
|t Narrative in "Love and theft," Modern times, and Tempest /
|r Jonathan Hodgers --
|g Chapter eight.
|t Dylan's direction home through the world's mighty opposites /
|r Jamie Lorentzen --
|g Chapter nine.
|t Performative lyric voice and the refrain as an architectonic element in Bob Dylan /
|r Fahri Öz --
|g Chapter ten.
|t The last Bob Dylan record /
|r Nick Smart --
|g Chapter eleven. "Everybody got to wonder what's the matter with this cruel world today : social consciousness and political commentary in "Love and theft" and Modern times /
|r Thad Williamson.
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|a Tearing the World Apart participates in the creation of the postmillennial Bob Dylan by exploring three central records of the twenty-first century--"Love and Theft" (2001), Modern Times (2006), and Tempest (2012)--along with the 2003 film Masked and Anonymous, which Dylan helped write and in which he appears as an actor and musical performer. The collection of essays does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints. Readers will find a variety of critical contexts and cultural perspectives as well as a range of experiences as members of Dylan's audience. The essays in Tearing the World Apart illuminate, as a prism might, its intransigent subject from enticing and intersecting angles. --Publisher description.
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|a Description based on print version record.
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600 |
1 |
7 |
|a Dylan, Bob
|d 1941-
|2 gnd
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600 |
1 |
7 |
|a Dylan, Bob,
|d 1941-
|2 fast
|0 (OCoLC)fst00010041
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600 |
1 |
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|a Dylan, Bob,
|d 1941-
|x Criticism and interpretation.
|
650 |
|
7 |
|a Popular music.
|2 fast
|0 (OCoLC)fst01071422
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650 |
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|a Musique populaire
|x Histoire et critique.
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650 |
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|a Popular music
|x History and criticism.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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1 |
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|a Hoffman, Eric R.,
|e editor.
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700 |
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|a Goss, Nina,
|e editor.
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/60632/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2017 Global Cultural Studies Supplement
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945 |
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|a Project MUSE - 2017 Complete Supplement
|