China in the Mix : Cinema, Sound, and Popular Culture in the Age of Globalization /

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"Scarce attention has been paid to the dimension of sound and its essential role in constructing image, culture, and identity in Chinese film and media. China in the Mix fills a critical void with the first book on the sound, languages, scenery, media, and culture in post-Socialist China. In th...

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Detalles Bibliográficos
Autor principal: Xiao, Ying (Professor of film studies) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2017]
Colección:Book collections on Project MUSE.
Temas:
Sound motion pictures.
Sound in motion pictures.
Popular music > Social aspects.
Popular culture.
Motion pictures and music.
Motion pictures.
HISTORY > Asia > China.
PERFORMING ARTS > Reference.
SOCIAL SCIENCE > Popular Culture.
PERFORMING ARTS > Film & Video > History & Criticism.
SOCIAL SCIENCE > Media Studies.
Musique populaire > Aspect social > Chine > Histoire > 21e siecle.
Musique populaire > Aspect social > Chine > Histoire > 20e siecle.
Culture populaire > Chine > Histoire > 21e siecle.
Culture populaire > Chine > Histoire > 20e siecle.
Cinema > Son.
Cinema > Chine > Histoire.
Films sonores > Chine.
Popular music > Social aspects > China > History > 21st century.
Popular music > Social aspects > China > History > 20th century.
Popular culture > China > History > 21st century.
Popular culture > China > History > 20th century.
Motion pictures > China > History.
Sound motion pictures > China.
China.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; CHINA IN THE MIX; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Overture Sound, Image, and Popular Media at the Nexus of Global-China; Chapter One Northwest Wind: Folklore, Vernacular, and the Chinese New Waves; Chapter Two The Convergence of Popular Music-Film: Zhang Yimou-Zhao Jiping and Spectacles of Sound; Chapter Three "Rock 'n' Roll on the New Long March": Cui Jian and the Voices and Moving Images of Chinese Rock Kids; Chapter Four "At the Intersection of Film and Music": Jia Zhangke and Urban Youth Cinema.
  • Chapter Five National Anthem at Guangchang: Languagescape, Ideoscape, and Mediascape in the Time of Global PictureChapter Six "Hip Hop Is My Knife, Rap Is My Sword": Hip Hop Network and the Changing Landscape of Image and Sound Making; Finale A Shift in Perception; Appendix I Music and Sound in Jia Zhangke's Platform (Zhantai, 2000); Appendix II Box Office Overview of Mainland China, 1985-2012; Notes; Chinese Glossary; Filmography; Bibliography; Index.

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