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Composing Apartheid : Music for and against apartheid /
Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography, as well as how music and musician...
| Otros Autores: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Johannesburg :
Wits University Press,
2008.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_60588 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905050227.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 180426s2008 sa o 00 0 eng d | ||
| 020 | |a 9781868146987 | ||
| 020 | |z 9781868149391 | ||
| 020 | |z 9781868144563 | ||
| 035 | |a (OCoLC)1080549348 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Composing Apartheid : |b Music for and against apartheid / |c edited by Grant Olwage. |
| 264 | 1 | |a Johannesburg : |b Wits University Press, |c 2008. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (320 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel's Messiah). Musical institutions and previously little-researched performers (such as the African National Congress's troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music |x Political aspects. |2 fast |0 (OCoLC)fst01030414 | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 6 | |a Musique |x Aspect politique |z Afrique du Sud. | |
| 650 | 0 | |a Music |x Political aspects |z South Africa. | |
| 651 | 7 | |a South Africa. |2 fast |0 (OCoLC)fst01204616 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Olwage, Grant, |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/60588/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement VII | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement VII | ||
| 945 | |a Project MUSE - Archive African Studies Supplement VI | ||