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Our Lady of Benoni : A play /

Zakes Mda's satire is a kaleidoscopic display of the extremes to which men (and by implication women) are prepared to go in terms of valuing what is 'virginal'. Mda presents us with the consequences of transgression: that which is seen as polluted and judged to be dangerous to the goo...

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Detalles Bibliográficos
Autor principal: Mda, Zakes
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Johannesburg : Wits University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mda, Zakes. 
245 1 0 |a Our Lady of Benoni :   |b A play /   |c Zakes Mda ; [introduction by Sarah Roberts]. 
264 1 |a Johannesburg :  |b Wits University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2012. 
300 |a 1 online resource (142 pages). 
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520 |a Zakes Mda's satire is a kaleidoscopic display of the extremes to which men (and by implication women) are prepared to go in terms of valuing what is 'virginal'. Mda presents us with the consequences of transgression: that which is seen as polluted and judged to be dangerous to the good health and purity of a group, a society, a culture. Taboos, superstition, customs and moral ethics become the subjects of inquiry and are, at times, subjected to ribald satire. This play cuts into a virtuoso style of theatre that can in no way be confused with the objectives and methods of conventional realism. Mda establishes a unique style and tone that is innovative, entertaining and challenging. It fuses satirical elements derived from classical poetry with a modernist sensibility that synthesises Brechtian and Absurdist features of theatricality, using characters as types and montage. Above all, in this work there is a profound exploration of what it means to operate in the politically charged landscape that defines post-apartheid South Africa with its cultural pluralities and differentials in access to resources and agency. Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The cultural discourse of patriarchy and the 'regime of truths' regarding ideals and taboos defining female sexuality, its obligations, and its custodianship are the focus of this play. 
588 |a Description based on print version record. 
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650 7 |a Sex in literature.  |2 fast  |0 (OCoLC)fst01114464 
650 7 |a Sex.  |2 fast  |0 (OCoLC)fst01114160 
650 7 |a Patriarchy in literature.  |2 fast  |0 (OCoLC)fst01055095 
650 7 |a Patriarchy.  |2 fast  |0 (OCoLC)fst01055082 
650 6 |a Sexualite dans la litterature. 
650 6 |a Theâtre sud-africain (anglais) 
650 0 |a Sex in literature. 
650 0 |a Patriarchy in literature. 
650 0 |a South African drama (English) 
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945 |a Project MUSE - Archive Complete Supplement VII 
945 |a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement VII