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180807s2018 mnu o 00 0 eng d |
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|a 9781452956916
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|z 145295691X
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|z 9780816689217
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|a (OCoLC)1048319263
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
1 |
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|a Ungar, Steven,
|d 1945-
|e author.
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| 245 |
1 |
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|a Critical Mass :
|b Social Documentary in France from the Silent Era to the New Wave /
|c Steven Ungar.
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|a Minneapolis :
|b University of Minnesota Press,
|c [2018]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©[2018]
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| 300 |
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|a 1 online resource (344 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; Half Title; Title; Copyright; Contents; Introduction: Primal Scenes and Establishing Shots; 1 A First Wave: Documentary Paris in the Shadow of the Talkies; Somewhere Else: Georges Lacombe and La Zone (1928); The Ambiguities of Pure Cinema; Paris by Night: Les Halles centrales (Boris Kaufman, 1928); 2 Visualizing Paris Anew; Moving In, Moving Out: Andre Sauvage and Études sur Paris (1928); In Thrall to the Silent Image; Sunday in the Country: Marcel Carne and Nogent, Eldorado du dimanche (1929); Through the Window; Transition I: Networking, 1929-1930; 3 "All the World's Misery."
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|a The End of the WorldA Kick in the Pants to Open Our Eyes: À propos de Nice (Jean Vigo, 1930); Sweet Children of Misery: Aubervilliers (Eli Lotar, 1946); The Slaughterhouse Photos; Transition II: Popular Front-Vichy-Postwar; 4 Colonial Cinema and Its Discontents; Making Waves: Afrique 50 (Rene Vautier, 1950); "We Martians of Africa": Les Statues meurent aussi (Alain Resnais and Chris Marker, 1953); Whose Voice? Whose Film? Moi, un Noir (Jean Rouch, 1958); Transition III: The Group of Thirty; 5 Two Takes on Postwar Paris; Scenes in a Library: Toute la memoire du monde (Alain Resnais, 1956).
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|a Other Scenes in a LibraryParis Springtime Zero: Le Joli Mai (Chris Marker, 1963); A Hard Left; Afterthoughts: A Radical Lyricism; Acknowledgments; Appendix A. Declaration of the Group of Thirty; Appendix B. Quality Subsidy Study: Short-Subject Advantages; Notes; Filmography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z.
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| 588 |
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|a Description based on print version record.
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| 650 |
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7 |
|a Social conditions.
|2 fast
|0 (OCoLC)fst01919811
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| 650 |
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7 |
|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
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| 650 |
|
7 |
|a Documentary films.
|2 fast
|0 (OCoLC)fst00896079
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| 650 |
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7 |
|a HISTORY
|z Europe
|z France.
|2 bisacsh
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| 650 |
|
7 |
|a LANGUAGE ARTS & DISCIPLINES
|x Journalism.
|2 bisacsh
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| 650 |
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6 |
|a Cinema
|x Aspect social
|z France.
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| 650 |
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0 |
|a Motion pictures
|x Social aspects
|z France.
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| 650 |
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0 |
|a Documentary films
|z France
|x History and criticism.
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| 651 |
|
7 |
|a France.
|2 fast
|0 (OCoLC)fst01204289
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| 651 |
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6 |
|a France
|x Conditions sociales.
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| 651 |
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0 |
|a France
|x Social conditions.
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 655 |
|
7 |
|a Electronic books.
|2 local
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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| 856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/60278/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2018 Complete
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| 945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
|
