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180424s2018 ilu o 00 0 eng d |
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|a 9780810137578
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|z 9780810137554
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|z 9780810137561
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|a (OCoLC)1047915358
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|a MdBmJHUP
|c MdBmJHUP
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|a Sánchez Prado, Ignacio M.,
|d 1979-
|e author.
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|a Strategic Occidentalism :
|b On Mexican Fiction, the Neoliberal Book Market, and the Question of World Literature /
|c Ignacio M. Sánchez Prado.
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264 |
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|a Evanston, Illinois :
|b Northwestern University Press,
|c [2018]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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264 |
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|c ©[2018]
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300 |
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|a 1 online resource (243 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Introduction: Mexican world literature -- The networks of a personal world : Sergio Pitol's heterodox cosmopolitanism -- The Crack group : cosmopolitanism contra the magical realist imperative -- The idea of the Mexican woman writer : gender, worldliness, and editorial neoliberalization -- Conclusion. Mexican world literature and "world literature" theory circa 2017.
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|a "Strategic Occidentalism examines the transformation, in both aesthetics and infrastructure, of Mexican fiction since the late 1970s. During this time a framework has emerged characterized by the corporatization of publishing, a frictional relationship between Mexican literature and global book markets, and the desire of Mexican writers to break from dominant models of national culture. In the course of this analysis, Ignacio M. Sánchez Prado engages with theories of world literature, proposing that 'world literature' is a construction produced at various levels, including the national, that must be studied from its material conditions of production in specific sites. In particular, he argues that Mexican writers have engaged in a 'strategic Occidentalism' in which their idiosyncratic connections with world literature have responded to dynamics different from those identified by world-systems or diffusionist theorists. Strategic Occidentalism identifies three scenes in which a cosmopolitan aesthetics in Mexican world literature has been produced: Sergio Pitol's translation of Eastern European and marginal British modernist literature; the emergence of the Crack group as a polemic against the legacies of magical realism; and the challenges of writers like Carmen Boullosa, Cristina Rivera Garza, and Ana García Bergua to the roles traditionally assigned to Latin American writers in world literature." --
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Mexican fiction.
|2 fast
|0 (OCoLC)fst01019203
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650 |
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7 |
|a Cosmopolitanism in literature.
|2 fast
|0 (OCoLC)fst01902915
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650 |
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7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
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650 |
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6 |
|a Roman mexicain
|y 20e siecle
|x Histoire et critique.
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650 |
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6 |
|a Roman mexicain
|y 21e siecle
|x Histoire et critique.
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650 |
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6 |
|a Cosmopolitisme dans la litterature.
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650 |
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0 |
|a Mexican fiction
|y 20th century
|x History and criticism.
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650 |
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0 |
|a Mexican fiction
|y 21st century
|x History and criticism.
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650 |
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0 |
|a Cosmopolitanism in literature.
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/60236/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Literature
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945 |
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|a Project MUSE - 2018 Latin American and Caribbean Studies
|