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The Culture of Cleanliness in Renaissance Italy /

Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern...

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Detalles Bibliográficos
Autor principal: Biow, Douglas
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Latín
Publicado: Ithaca : Cornell University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |z 9780801444814 
035 |a (OCoLC)1080549964 
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041 1 |a eng  |a ita  |a lat  |h ita  |h lat 
100 1 |a Biow, Douglas. 
245 1 4 |a The Culture of Cleanliness in Renaissance Italy /   |c Douglas Biow. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 2006. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2006. 
300 |a 1 online resource (280 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Households and cities -- Soap and washerwomen -- Latrines and latrine-cleaners. 
520 |a Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanlines, he argues, was everywhere in the Renaissance. Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern. This book moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low--as well as literary and visual--cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.--Book jacket flaps. 
546 |a Includes text in Italian and Latin with English translations. 
588 |a Description based on print version record. 
650 1 7 |a Culturele aspecten.  |2 gtt 
650 1 7 |a Hygiëne.  |2 gtt 
650 7 |a Hygiene in literature.  |2 fast  |0 (OCoLC)fst00965361 
650 7 |a Hygiene.  |2 fast  |0 (OCoLC)fst00965349 
650 7 |a LITERARY CRITICISM  |x European  |x Italian.  |2 bisacsh 
650 6 |a Hygiene dans la litterature. 
650 6 |a Hygiene  |z Italie  |x Histoire  |y 16e siecle. 
650 6 |a Hygiene  |z Italie  |x Histoire  |y 15e siecle. 
650 0 |a Hygiene in literature. 
650 0 |a Hygiene  |z Italy  |x History  |y 16th century. 
650 0 |a Hygiene  |z Italy  |x History  |y 15th century. 
651 7 |a Italië.  |2 gtt 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
651 2 |a Italy 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/60058/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VII 
945 |a Project MUSE - Archive History Supplement VII