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Ritual Imports : Performing Medieval Drama in America /

Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him &qu...

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Detalles Bibliográficos
Autor principal: Sponsler, Claire
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)1080551288 
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100 1 |a Sponsler, Claire. 
245 1 0 |a Ritual Imports :   |b Performing Medieval Drama in America /   |c Claire Sponsler. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 2004. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2004. 
300 |a 1 online resource (248 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Performing conquest : the Jemez Matachines dances -- Selective histories : Albany's Pinkster -- Festival -- Philadelphia's Mummers and the Anglo-Saxon revival -- Reinventing tradition: Brooklyn's Saint play -- America's passion plays -- Medieval plays and medievalist players. 
520 |a Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead-by no means smoothly-to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater 
588 |a Description based on print version record. 
650 7 |a Performing arts.  |2 fast  |0 (OCoLC)fst01057887 
650 7 |a Drama, Medieval.  |2 fast  |0 (OCoLC)fst00897538 
650 7 |a LITERARY CRITICISM  |x Medieval.  |2 bisacsh 
650 6 |a Arts du spectacle  |z États-Unis. 
650 6 |a Theâtre medieval  |x Histoire et critique. 
650 0 |a Performing arts  |z United States. 
650 0 |a Drama, Medieval  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/60033/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VII 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement VII