|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_59990 |
003 |
MdBmJHUP |
005 |
20230905050150.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
180629s2005 nyu o 00 0 eng d |
020 |
|
|
|a 9781501721540
|
020 |
|
|
|z 9780801443152
|
035 |
|
|
|a (OCoLC)1080550364
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Finke, Michael C.,
|d 1957-
|
245 |
1 |
0 |
|a Seeing Chekhov :
|b Life and Art /
|c Michael C. Finke.
|
264 |
|
1 |
|a Ithaca :
|b Cornell University Press,
|c 2005.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2019
|
264 |
|
4 |
|c ©2005.
|
300 |
|
|
|a 1 online resource (256 pages):
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a To be seen or not to be seen -- Looking the part -- Self and other through the lens of science -- Erotic and mythic visions -- Seeing Chekhov's things.
|
520 |
1 |
|
|a "Michael C. Finke explodes a century of critical truisms concerning Chekhov's objective eye and what being a physician gave him as a writer in a book that foregrounds the deeply subjective and self-reflexive aspects of his fiction and drama. In exploring previously unrecognized seams between the author's life and his verbal art, Finke profoundly alters and deepens our understanding of Chekhov's personality and behaviors, provides new interpretations of a broad array of Chekhov's texts, and fleshes out Chekhov's simultaneous pride in his identity as a physician and devastating critique of turn-of-the-century medical practices and ideologies." "Seeing Chekhov is essential reading for students of Russian literature, devotees of the short story and modern drama, and anyone interested in the intersection of literature, psychology, and medicine."--Jacket
|
588 |
|
|
|a Description based on print version record.
|
600 |
1 |
7 |
|a Darwin, Charles.
|2 swd
|
600 |
1 |
7 |
|a Čechov, Anton P.
|2 swd
|
600 |
1 |
7 |
|a Čechov, Anton Pavlovič
|d 1860-1904
|2 gnd
|
600 |
1 |
7 |
|a Darwin, Charles
|d 1809-1882
|2 gnd
|
600 |
1 |
7 |
|a Darwin, Charles,
|d 1809-1882
|2 fast
|0 (OCoLC)fst00029136
|
600 |
1 |
7 |
|a Chekhov, Anton Pavlovich,
|d 1860-1904
|2 fast
|0 (OCoLC)fst00045578
|
600 |
1 |
6 |
|a Darwin, Charles,
|d 1809-1882
|x Influence.
|
600 |
1 |
6 |
|a Chekhov, Anton Pavlovich,
|d 1860-1904
|x Critique et interpretation.
|
600 |
1 |
1 |
|a Chekhov, Anton Pavlovich,
|d 1860-1904
|x Criticism and interpretation.
|
600 |
1 |
1 |
|a Darwin, Charles,
|d 1809-1882
|x Influence.
|
600 |
1 |
0 |
|a Darwin, Charles,
|d 1809-1882
|x Influence.
|
600 |
1 |
0 |
|a Chekhov, Anton Pavlovich,
|d 1860-1904
|x Criticism and interpretation.
|
650 |
|
7 |
|a Evolutionstheorie
|2 gnd
|
650 |
|
7 |
|a Self in literature.
|2 fast
|0 (OCoLC)fst01111462
|
650 |
|
7 |
|a Influence (Literary, artistic, etc.)
|2 fast
|0 (OCoLC)fst00972484
|
650 |
|
7 |
|a Identity (Philosophical concept) in literature.
|2 fast
|0 (OCoLC)fst00966891
|
650 |
|
7 |
|a Evolution (Biology) in literature.
|2 fast
|0 (OCoLC)fst00917331
|
650 |
|
7 |
|a Dreams in literature.
|2 fast
|0 (OCoLC)fst00897911
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Russian & Former Soviet Union.
|2 bisacsh
|
650 |
|
6 |
|a Identite dans la litterature.
|
650 |
|
6 |
|a Rêves dans la litterature.
|
650 |
|
6 |
|a Évolution (Biologie) dans la litterature.
|
650 |
|
6 |
|a Moi (Psychologie) dans la litterature.
|
650 |
|
0 |
|a Identity (Philosophical concept) in literature.
|
650 |
|
0 |
|a Dreams in literature.
|
650 |
|
0 |
|a Evolution (Biology) in literature.
|
650 |
|
0 |
|a Self in literature.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/59990/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - Archive Complete Supplement VII
|
945 |
|
|
|a Project MUSE - Archive Literature Supplement VII
|