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All Theater Is Revolutionary Theater /
All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the crite...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca, N.Y. :
Cornell University Press,
2005.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 007 | cr||||||||nn|n | ||
| 008 | 180705s2005 nyu o 00 0 eng d | ||
| 020 | |a 9781501720994 | ||
| 020 | |z 9780801443091 | ||
| 035 | |a (OCoLC)1080550540 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Bennett, Benjamin, |d 1939- | |
| 245 | 1 | 0 | |a All Theater Is Revolutionary Theater / |c Benjamin Bennett. |
| 264 | 1 | |a Ithaca, N.Y. : |b Cornell University Press, |c 2005. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©2005. | |
| 300 | |a 1 online resource (260 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover; ALL THEATER IS REVOLUTIONARY THEATER; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Introduction; Part One; CHAPTER ONE Aristotle's Defeat; CHAPTER TWO Genre and Drama: The Historical and Theoretical Background; Part Two; CHAPTER THREE Brecht's Writing against Writing; CHAPTER FOUR Brecht, Artaud, Wedekind, Eliot: The Absence of the Subject; CHAPTER FIVE The Theater That Never Was: Georg Büchner and Drama as a Philosophical Experiment; CHAPTER SIX Hofmannsthal's Theater of Adaptation; CHAPTER SEVEN Diderot, Shaw, Beckett, and the Meaning of Plays. | |
| 505 | 0 | |a CHAPTER EIGHT Performance and the Exposure of HermeneuticsCHAPTER NINE Robert Wilson and the Work as an Empty Wavelength for Its Own Public Discussion; Conclusion; Appendix; Notes; Index. | |
| 520 | |a All Theater Is Revolutionary Theater is the first book to consider why, in the Western tradition (and only in the Western tradition), theatrical drama is regarded as its own literary or poetic type, when the criteria needed to differentiate drama from other forms of writing do not resemble the criteria by which types of prose or verse are ordinarily distinguished. Through close readings of such playwrights as Beckett, Brecht, Büchner, Eliot, Shaw, Wedekind, and Robert Wilson, Benjamin Bennett looks at the relationship between literature and drama, identifying typical problems in the development of dramatic literature and exploring how the uncomfortable association with theatrical performance affects the operation of drama in literary history.Bennett's historical investigations into theoretical works ranging from Aristotle to Artaud, Brecht, and Diderot suggest that the attempt to include drama in the system of Western literature causes certain specific incongruities that, in his view, have the salutary effect of preserving the otherwise endangered possibility of a truly liberal, progressive, or revolutionary literature. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Theater |x Philosophy. |2 fast |0 (OCoLC)fst01149273 | |
| 650 | 7 | |a LITERARY CRITICISM |x Drama. |2 bisacsh | |
| 650 | 0 | |a Theater |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/59964/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement VII | ||
| 945 | |a Project MUSE - Archive Literature Supplement VII | ||