Chaos and Cosmos : On the Image in Aesthetics and Art History /

Mostrar otras versiones (1)

Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and Cosmos, Karen Lang addresses the power o...

Descripción completa

Detalles Bibliográficos
Autor principal: Lang, Karen Ann
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Objet (esthetique) > 20e siecle.
Objet (esthetique) > 19e siecle.
Critique d'art > Allemagne > 20e siecle.
Critique d'art > Allemagne > 19e siecle.
Object (Aesthetics)
Aesthetics, German > 20th century.
Aesthetics, German > 19th century.
Art criticism > Germany > History > 20th century.
Art criticism > Germany > History > 19th century.
Chaos.
Esthetica.
Kunstgeschiedenis (wetenschap)
Ästhetik
Kunstkritik
Art criticism.
Aesthetics, German.
PHILOSOPHY > Aesthetics.
20.01 history of the art sciences.
Objet (Esthetique) > Histoire > 20e siecle.
Objet (Esthetique) > Histoire > 19e siecle.
Esthetique allemande > 20e siecle.
Esthetique allemande > 19e siecle.
Critique d'art > Allemagne > Histoire > 20e siecle.
Critique d'art > Allemagne > Histoire > 19e siecle.
Object (Aesthetics) > History > 20th century.
Object (Aesthetics) > History > 19th century.
Duitsland.
Deutschland
Germany.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Acknowledgments
  • Introduction: Theory Begins with Looking
  • Chapter One. Points of View in Panofsky's Early Theoretical Essays
  • Chapter Two. The Dialectics of Decay: Rereading the Kantian Subject
  • Chapter Three. Goethe, Warburg, Cassirer: Symbolic Form as Orientation
  • Chapter Four. The Experience of Time and the Time of History: Riegl's Age Value and Benjamin's Aura
  • Conclusion: Encountering the Image
  • Afterword: Toward an Aesthetic Way of Knowing
  • Notes
  • Index

Ejemplares similares