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Cubism and Futurism : Spiritual Machines and the Cinematic Effect /
At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenom...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Waterloo, Ontario :
Wilfrid Laurier University Press,
2018.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 170526s2017 onc o 00 0 eng d | ||
| 020 | |a 9781771122719 | ||
| 020 | |z 9781771122450 | ||
| 020 | |z 1771122714 | ||
| 035 | |a (OCoLC)988888107 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Elder, Bruce |q (R. Bruce), |e author. | |
| 245 | 1 | 0 | |a Cubism and Futurism : |b Spiritual Machines and the Cinematic Effect / |c R. Bruce Elder. |
| 264 | 1 | |a Waterloo, Ontario : |b Wilfrid Laurier University Press, |c 2018. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource (591 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film and media studies series | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; CONTENTS; Acknowledgements; Introduction; 1 MODERNISM AND THE VISUAL ARTS; Modernism and Abstraction; The Attributes of Aesthetic Experience; Optical Experience and the Higher Noesis; Producing Facts; Primordial Experience: A Non-reflexive, Pre-objective Awareness; The Influence of Emmanuel Kant; Basic Themes in Cubism and Futurism; The Senses' Disconnection from Reality; Time, Reality, and Meaning; Absolute Space, Relative Space; Nerves; Notes. | |
| 505 | 0 | |a 2 DUDLEY MURPHY, FERNAND LÉGER, AND BALLET MÉCANIQUE: VORTICISM, CUBISM, COLLAGE, AND LÉGER'S NEW REALISMThe New Vision; Prosthetics for the Senses: Reconciling Two Descriptions of the World; Cubism and the Crisis of Vision; Cubism and Passage; Understanding Simultaneity, Understanding Instantaneity; Cubist Painting Between Structure and Representation; The Transitional Phase: Towards Synthetic Cubism; Cubist Collage and Papier colle; Synthetic Cubism; Bergson's Importance for Cubism; Leger and Synthetic Cubism; Proceeding from Synthetic Cubism: Fernand Leger and the New Realism. | |
| 505 | 0 | |a Leger: Cubism, Quasi-Cubism, and Non-CubismLeger, the Object, and the Human Body; Leger and the "All-Over" Form; Leger's New Realism; Leger and the Theory of Contrasts; The Idea of the New Human and Its Contribution to Leger's Evolution; Equivalent to Life: Plastically Organized Intensity; Leger and Purism; Towards the Cinema: A Montage of Pre-existing Elements; Ballet mecanique and the Mechanical Ballet: Rhythm in Ballet n mecanique; Diversity in Ballet mecanique; Another Appeal of the Cinema; Cubism, African American Art, and Infinite Plasticity; Cendrars and Leger on Language and Cinema. | |
| 505 | 0 | |a Leger's CollaboratorsAnother Key Collaborator: George Antheil; Pound's Antheil: Parallels Between the Film Ballet mecanique and Antheil's Theory of Composition; Pound, Antheil, Vorticism, and Harmony; A Mechanical Ballet: Music, Film, and Film Music; Shot Analysis of Ballet mecanique; Conclusion; Notes; 3 FUTURISM; Futurism and New Italian Culture; Futurism: The Violence of the New Replacing the Old; Painting Becomes a Futurist Synthetic Art; Speed + Electricity + Collective Consciousness = Futurism; Futurism, Symbolism, Unanimism, and Bergson; Universal Dynamism and Perception. | |
| 505 | 0 | |a The Influence of BergsonThe Cinematic Condition of Futurism; Futurism's Occult New Man; Futurism, Electromagnetism, and the Issue of Homologies; The Futurist Theory of Perception; The Futurists, Universal Relations, and Space; Bergson, Symbolism, Unanimism, and Primordial Experience; The Serata futurista and the Variety Theatre; The Futurists' Dynamic View of Reality and Futurist Dynamism; The Serata futurista and the Cinema; Futurist Painting and Sonic Art; Futurism and the Cinema; Arnaldo Ginna, Bruno Corra, and Synaesthetic Cinema; Futurism and the Anti-anthropocentric Aspiration. | |
| 520 | |a At its inception, the cinema was understood by many to be an electric art, akin to X-rays, coloured light, and sostnic energy. This book examines the two movements' engagement with the Faraday and Maxwell's new science of energy, and shows energy came to be understood as a spiritual phenomenon and the cinema as a pneumatic machine. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Futurism (Art) |2 fast |0 (OCoLC)fst00936780 | |
| 650 | 7 | |a Cubism. |2 fast |0 (OCoLC)fst00884864 | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Futurist. |2 aat | |
| 650 | 7 | |a Cubist. |2 aat | |
| 650 | 6 | |a Cinema |x Histoire. | |
| 650 | 6 | |a Futurisme (Art) | |
| 650 | 6 | |a Cubisme. | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 0 | |a Futurism (Art) | |
| 650 | 0 | |a Cubism. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/59668/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||