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180524s1998 nyu o 00 0 eng d |
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|a 9781501717741
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|z 9780801434341
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|z 9780801484506
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|a (OCoLC)1080549797
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|a MdBmJHUP
|c MdBmJHUP
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|a Stewart-Steinberg, Suzanne.
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|a Sublime Surrender :
|b Male Masochism at the Fin-de-siècle /
|c Suzanne R. Stewart.
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|a Ithaca, N.Y. :
|b Cornell University Press,
|c 1998.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©1998.
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|a 1 online resource (240 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cornell studies in the history of psychiatry
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|a Various drafts of chapters were read by members of the German Studies Reading Group and by participants in the German Studies Colloquium.
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|a 1. "A familiar smile of fascination": Masochism, Sublimation, and the Cruelty of Love -- 2. When Men Can No Longer Paint: Acts of Seeing in Leopold von Sacher-Masoch's Venus in Furs -- 3. The Theft of the Operatic Voice: Masochistic Seduction in Wagner's Parsifal -- 4. Saving Love: Is Sigmund Freud's Leader a Man? -- 5. The Rhetoric of Powerlessness.
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|a When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering. Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-siecle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice."
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|a Description based on print version record.
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|a Fin de siecle.
|2 gtt
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|a Mannen.
|2 gtt
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|a Masochisme.
|2 gtt
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|a Letterkunde.
|2 gtt
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|a Sexual dominance and submission.
|2 fast
|0 (OCoLC)fst01114834
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|a Sex in opera.
|2 fast
|0 (OCoLC)fst01114482
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650 |
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|a Masochism in literature.
|2 fast
|0 (OCoLC)fst01011136
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650 |
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|a Masochism.
|2 fast
|0 (OCoLC)fst01011131
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650 |
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|a SOCIAL SCIENCE
|x Men's Studies.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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650 |
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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650 |
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|a Sexualite à l'opera.
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|a Masochisme dans la litterature.
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|a Domination et soumission (Sexualite)
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|a Masochisme.
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|a Sexual Behavior
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|a Dominance-Subordination
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|a Masochism
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|a Sex in opera.
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|a Masochism in literature.
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|a Sexual dominance and submission.
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650 |
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|a Masochism.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/59394/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VII
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|a Project MUSE - Archive Psychology Supplement IV
|