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Hoodlum Movies : Seriality and the Outlaw Biker Film Cycle, 1966-1972 /
Hoodlum Movies focuses on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were produced to appeal to audience...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick :
Rutgers University Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 035 | |a (OCoLC)1040592880 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Stanfield, Peter, |d 1958- |e author. | |
| 245 | 1 | 0 | |a Hoodlum Movies : |b Seriality and the Outlaw Biker Film Cycle, 1966-1972 / |c Peter Stanfield. |
| 264 | 1 | |a New Brunswick : |b Rutgers University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (214 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction: hoodlum poses and gestures -- Strange excitements: the topical and the sensational -- Getting out of town: the cycle unfolds -- After Easy rider: modulations and curious combinations -- Nazi satanists, Viet vets and M'cycle mamas (and other such pulp delights) -- Conclusion: buried in the sand forever. | |
| 520 | |a Hoodlum Movies focuses on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were produced to appeal to audiences of mobile youths until 1972. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motorcycle films. |2 fast |0 (OCoLC)fst01028020 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Films de motards |x Histoire et critique. | |
| 650 | 0 | |a Motion pictures |y 20th century |x History and criticism. | |
| 650 | 0 | |a Motorcycle films |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/59214/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||