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180424s2018 ilu o 00 0 eng d |
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|z 2018008762
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|a 9780810137424
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|z 9780810137400
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|z 0810137410
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|z 0810137429
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|z 9780810137417
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|a (OCoLC)1039689908
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|a MdBmJHUP
|c MdBmJHUP
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|a Townsend, Sarah J.,
|e author.
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|a The Unfinished Art of Theater :
|b Avant-Garde Intellectuals in Mexico and Brazil /
|c Sarah J. Townsend.
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|a Evanston, Illinois :
|b Northwestern University Press,
|c 2018.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©2018.
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|a 1 online resource (312 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Performance works
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|a "The Unfinished Art of Theater began as a dissertation written at New York University."
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|a Introduction: The uneven stage of the avant-gardes -- Mexico -- Rehearsals of the tragi-co(s)mic race -- Primitivist accumulation and Teatro sintetico -- Radio/puppets, or the institutionalization of a (media) revolution -- Brazil -- Parsifal on the periphery of capitalism -- Phonography, operatic ethnography, and other bad arts -- Total theater and missing pieces -- Postscript: Loose ends.
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|a Open Access
|f Unrestricted online access
|2 star
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|a The avant-garde posits the possibility of total rupture with the past. This book pulls back on this futuristic impulse by showing how theater became a key site for artists on the edge of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this "unfinished art"-because of its weakness as a representative institution in Mexico and Brazil, where the bourgeois stage had not yet coalesced-was at the forefront of struggles to redefine the relationship between art and social change. Drawing on archival research, Townsend reveals the importance of avant-garde projects that belie the rhetoric of rupture and immediacy: ethnographic operas, populist puppet plays, children's radio programs, a philosophical drama about the birth of a new race, and an antifascist spectacle written for a theater shut down by the police. The book argues that avant-garde art is tied to the experience of dependency, delay, and the uneven development of capitalism.
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|a Description based on print version record.
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650 |
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7 |
|a Theater and society.
|2 fast
|0 (OCoLC)fst01149315
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650 |
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7 |
|a Experimental theater.
|2 fast
|0 (OCoLC)fst00918508
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650 |
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7 |
|a Avant-garde (Aesthetics)
|2 fast
|0 (OCoLC)fst00824280
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650 |
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|a PERFORMING ARTS
|x General.
|2 bisacsh
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650 |
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|a Theâtre et societe
|z Mexique.
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650 |
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|a Theâtre et societe
|z Bresil.
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650 |
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|a Experimental theater
|z Mexico.
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650 |
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0 |
|a Experimental theater
|z Brazil.
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650 |
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0 |
|a Theater and society
|z Mexico.
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650 |
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0 |
|a Theater and society
|z Brazil.
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650 |
|
0 |
|a Avant-garde (Aesthetics)
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651 |
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7 |
|a Mexico.
|2 fast
|0 (OCoLC)fst01211700
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651 |
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7 |
|a Brazil.
|2 fast
|0 (OCoLC)fst01206830
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655 |
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7 |
|a Electronic books.
|2 local
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2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/59164/
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2018 Latin American and Caribbean Studies
|