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Portrait /
This work examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. The text is written from the perspective that the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can id...
| Autor principal: | |
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| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
New York, NY :
Fordham University Press,
2018.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 180131s2018 nyu o 00 0 eng d | ||
| 020 | |a 9780823279975 | ||
| 020 | |z 9780823279951 | ||
| 020 | |z 9780823279944 | ||
| 035 | |a (OCoLC)1038009686 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 041 | 1 | |a eng |h fre | |
| 100 | 1 | |a Nancy, Jean-Luc. | |
| 245 | 1 | 0 | |a Portrait / |c Jean-Luc Nancy. |
| 264 | 1 | |a New York, NY : |b Fordham University Press, |c 2018. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource (160 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Lit z | |
| 505 | 0 | |a Cover; PORTRAIT; Title; Copyright; Contents; Preface to the English- Language Edition; Introduction: The Subject of the Portrait; The Look of the Portrait; The Autonomous Portrait; Resemblance; Recall; Look; The Other Portrait; L'altro ritratto; Character; The Eye; Visageity; Mimesis; Withdrawn Presence; Ipseity; Theophany; Revelation; Divine Abandonment; Dis- figuration; Eclipse; Infinite Detachment; Coda I; Coda II; Coda III; Notes; List of Figures | |
| 520 | 8 | |a This work examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. The text is written from the perspective that the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. It consists of two extended essays written a decade apart but in close conversation, in which the author considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial introduction, which places the author's work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a ART / Subjects & Themes / General. |2 bisacsh | |
| 650 | 6 | |a Portraits |x Philosophie. | |
| 650 | 0 | |a Portraits |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/59090/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Global Cultural Studies | ||