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The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood /
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history. The Limits of Auteurism challenges many of these assumptions. The book explores how distribution and critical reception determined the parameters of the New Hollywood ca...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick :
Rutgers University Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 170803s2018 nju o 00 0 eng d | ||
| 010 | |z 2017037001 | ||
| 020 | |a 9780813589176 | ||
| 020 | |z 9780813595788 | ||
| 020 | |z 9780813589169 | ||
| 020 | |z 9780813589152 | ||
| 035 | |a (OCoLC)999672121 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Godfrey, Nicholas, |d 1986- |e author. | |
| 245 | 1 | 4 | |a The Limits of Auteurism : |b Case Studies in the Critically Constructed New Hollywood / |c Nicholas Godfrey. |
| 264 | 1 | |a New Brunswick : |b Rutgers University Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (282 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction: open roads -- Which new Hollywood? -- Easy rider -- Variations on a theme: five easy riders -- Five easy pieces -- Two-lane blacktop -- Vanishing point -- Little Fauss and Big Halsy -- Adam at 6 a.m -- Politicizing genre. Dirty Harry -- The French connection -- The limits of auteurism. The last movie -- The hired hand -- Conclusion: the end of the road. | |
| 520 | |a The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history. The Limits of Auteurism challenges many of these assumptions. The book explores how distribution and critical reception determined the parameters of the New Hollywood canon. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Auteur theory (Motion pictures) |2 fast |0 (OCoLC)fst00821628 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a 1900 - 1999. |2 ascl | |
| 650 | 6 | |a Cinema |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Politique des auteurs (Cinema) | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Auteur theory (Motion pictures) | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/59055/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||