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Affect, Animals, and Autists : Feeling Around the Edges of the Human in Performance /

"When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of th...

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Detalles Bibliográficos
Autor principal: Carlson, Marla (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Carlson, Marla,  |e author. 
245 1 0 |a Affect, Animals, and Autists :   |b Feeling Around the Edges of the Human in Performance /   |c Marla Carlson. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©[2018] 
300 |a 1 online resource (274 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Intro; Contents; Preface and Acknowledgments; Chapter 1. Locating the Human in Performance; Chapter 2. Performing as Animals; Chapter 3. Performing as Autists; Chapter 4. Performing with Animals; Chapter 5. Performing with Autists; Chapter 6. Mimetic Mixing and Technologies for Becoming; Notes; Bibliography; Index. 
520 |a "When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges. By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Performance  |g Künste  |2 gnd 
650 7 |a Autismus  |2 gnd 
650 7 |a Mensch  |2 gnd 
650 7 |a Tiere  |2 gnd 
650 7 |a Animals in the performing arts.  |2 fast  |0 (OCoLC)fst00809593 
650 7 |a Affect (Psychology) in the performing arts.  |2 fast  |0 (OCoLC)fst02002546 
650 7 |a Autistic people in the performing arts.  |2 fast  |0 (OCoLC)fst02002554 
650 7 |a PSYCHOLOGY / Psychopathology / Autism Spectrum Disorders.  |2 bisacsh 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
650 6 |a Animaux dans les arts du spectacle. 
650 6 |a Autistes dans les arts du spectacle. 
650 0 |a Animals in the performing arts. 
650 0 |a Affect (Psychology) in the performing arts. 
650 0 |a Autistic people in the performing arts. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/59022/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Film, Theater and Performing Arts