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The Modern British Horror Film /

"When you think of British horror films, you might picture the classic Hammer Horror movies, with Christopher Lee, Peter Cushing, and blood in lurid technicolor. Yet British horror has undergone an astonishing change and resurgence in the twenty-first century, with films that capture instead th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gerrard, Steven, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick : Rutgers University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gerrard, Steven,  |d 1970-  |e author. 
245 1 4 |a The Modern British Horror Film /   |c Steven Gerrard. 
264 1 |a New Brunswick :  |b Rutgers University Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 0000 
264 4 |c ©[2017] 
300 |a 1 online resource (184 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Quick takes: movies and popular culture 
504 |a Includes bibliographical references (pages 159-163) and index. 
520 |a "When you think of British horror films, you might picture the classic Hammer Horror movies, with Christopher Lee, Peter Cushing, and blood in lurid technicolor. Yet British horror has undergone an astonishing change and resurgence in the twenty-first century, with films that capture instead the anxieties of post-Millennial viewers. Tracking the revitalization of the British horror film industry over the past two decades, media expert Steven Gerrard also investigates why audiences have flocked to these movies. To answer that question, he focuses on three major trends: "hoodie horror" movies responding to fears about Britain's urban youth culture; "great outdoors" films where Britain's forests, caves, and coasts comprise a terrifying psychogeography; and psychological horror movies in which the monster already lurks within us. Offering in-depth analysis of numerous films, including The Descent, Outpost, and The Woman in Black, this book takes readers on a lively tour of the genre's highlights, while provocatively exploring how these films reflect viewers' gravest fears about the state of the nation. Whether you are a horror buff, an Anglophile, or an Anglophobe, The Modern British Horror Film is sure to be a thrilling read"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / Guides & Reviews.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Popular Culture.  |2 bisacsh 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
650 0 |a Horror films  |z Great Britain  |x History and criticism. 
655 7 |a Electronic books.   |2 local 
776 1 8 |i Online version:  |a Gerrard, Steven, 1970- author.  |t Modern British horror film  |d New Brunswick : Rutgers University Press, 2017  |z 9780813579450  |w (DLC) 2017033132 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/58943/ 
945 |a Project MUSE - Custom Collection