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Transcending Textuality : Quevedo and Political Authority in the Age of Print
In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo's place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo's highly theatrical c...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
University Park :
Penn State University Press,
2016.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 200912s2016 xx o 00 0 eng d | ||
| 020 | |a 9780271078649 | ||
| 035 | |a (OCoLC)1080551295 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a García-Bryce, Ariadna. | |
| 245 | 1 | 0 | |a Transcending Textuality : |b Quevedo and Political Authority in the Age of Print |
| 264 | 1 | |a University Park : |b Penn State University Press, |c 2016. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2019 | |
| 264 | 4 | |c ©2016. | |
| 300 | |a 1 online resource (176 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Penn State Romance Studies | |
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Intro -- Title Page -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Crafting Royal Omnipotence -- 2. The Power of the Passion -- 3. The Agonistic Word -- 4. Vacuous Print -- Epilogue -- Notes -- Works Cited -- Index -- Back Cover | |
| 520 | |a In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo's place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo's highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo's poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Politics and literature. |2 fast |0 (OCoLC)fst01069960 | |
| 650 | 7 | |a LITERARY CRITICISM / European / Spanish & Portuguese. |2 bisacsh | |
| 650 | 6 | |a Politique et litterature |z Espagne. | |
| 650 | 0 | |a Politics and literature |z Spain. | |
| 650 | 0 | |a Politics and literature |x Spain. | |
| 651 | 7 | |a Spain. |2 fast |0 (OCoLC)fst01204303 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/58765/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement VII | ||
| 945 | |a Project MUSE - Archive Political Science and Policy Studies Supplement VII | ||