Creative Union : The Professional Organization of Soviet Composers, 1939-1953 /

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Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--Jacket.

Detalles Bibliográficos
Autor principal: Tomoff, Kiril
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Goria, A.
Sovetskaja Associacija Meždunarodnogo Prava
Sojuz Kompozitorov SSSR
Soi︠u︡z kompozitorov SSSR.
Soiuz kompozitorov SSSR.
Soi︠u︡z kompozitorov SSSR > History.
Komponist.
Vakverenigingen.
Componisten.
Berufsverband
Musicians > Labor unions.
Music and state.
Music.
MUSIC > Reference.
MUSIC > Genres & Styles > Classical.
Musique > URSS > Histoire et critique.
Musiciens > Syndicats > URSS.
Musique > Politique gouvernementale > URSS.
Music > Soviet Union > History and criticism.
Musicians > Labor unions > Soviet Union.
Music and state > Soviet Union.
Sovjet-Unie.
Sowjetunion
Soviet Union.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The formation of the Composers' Union, 1932-41
  • Administering the creative process
  • Composers on the march, 1941-45
  • Zhdanovshchina and the Ogolevets affair
  • Brouhaha! : party intervention and professional consolidation, 1948
  • Anticosmopolitanism and the music profession, 1949-53
  • The results of party intervention
  • Muzfond, royalties, and popularity
  • Elite hierarchies
  • "Most respected comrade
  • " : informal networks in the Stalinist music world.

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