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Creative Union : The Professional Organization of Soviet Composers, 1939-1953 /

Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--Jacket.

Detalles Bibliográficos
Autor principal: Tomoff, Kiril
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Tomoff, Kiril. 
245 1 0 |a Creative Union :   |b The Professional Organization of Soviet Composers, 1939-1953 /   |c Kiril Tomoff. 
264 1 |a Ithaca, N.Y. :  |b Cornell University Press,  |c 2006. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2006. 
300 |a 1 online resource (336 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Cornell scholarship online 
505 0 |a The formation of the Composers' Union, 1932-41 -- Administering the creative process -- Composers on the march, 1941-45 -- Zhdanovshchina and the Ogolevets affair -- Brouhaha! : party intervention and professional consolidation, 1948 -- Anticosmopolitanism and the music profession, 1949-53 -- The results of party intervention -- Muzfond, royalties, and popularity -- Elite hierarchies -- "Most respected comrade -- " : informal networks in the Stalinist music world. 
520 8 |a Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--Jacket. 
520 1 |a "Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. 
546 |a In English. 
588 |a Description based on print version record. 
610 2 7 |a Sovetskaja Associacija Meždunarodnogo Prava  |2 gnd 
610 2 7 |a Sojuz Kompozitorov SSSR  |2 gnd 
610 2 7 |a Soi︠u︡z kompozitorov SSSR.  |2 fast  |0 (OCoLC)fst00551570 
610 2 4 |a Soiuz kompozitorov SSSR. 
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650 1 7 |a Componisten.  |2 gtt  |0 (NL-LeOCL)078473357 
650 7 |a Berufsverband  |2 gnd 
650 7 |a Musicians  |x Labor unions.  |2 fast  |0 (OCoLC)fst01030857 
650 7 |a Music and state.  |2 fast  |0 (OCoLC)fst01030489 
650 7 |a Music.  |2 fast  |0 (OCoLC)fst01030269 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 6 |a Musique  |z URSS  |x Histoire et critique. 
650 6 |a Musiciens  |x Syndicats  |z URSS. 
650 6 |a Musique  |x Politique gouvernementale  |z URSS. 
650 0 |a Music  |z Soviet Union  |x History and criticism. 
650 0 |a Musicians  |x Labor unions  |z Soviet Union. 
650 0 |a Music and state  |z Soviet Union. 
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651 7 |a Sowjetunion  |2 gnd 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - Archive Complete Supplement VII 
945 |a Project MUSE - Archive History Supplement VII 
945 |a Project MUSE - Archive Russian and East European Studies Supplement VI