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Monsters in the Machine : Science Fiction Film and the Militarization of America after World War II /

"During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction--from alien invasions to biological mutation and space travel--the vast majority of these f...

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Detalles Bibliográficos
Autor principal: Hantke, Steffen, 1962- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hantke, Steffen,  |d 1962-  |e author. 
245 1 0 |a Monsters in the Machine :   |b Science Fiction Film and the Militarization of America after World War II /   |c Steffen Hantke. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©[2016] 
300 |a 1 online resource (240 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover; Monsters in the Machine; Title; Copyright; Contents; Acknowledgments ; Introduction A Bright New Future, With Monsters ; Chapter One Military Stock Footage ; Chapter Two Veterans ; Chapter Three The Southwest ; Chapter Four Decolonization ; Conclusion The Long Shadow of the Fifties ; Notes ; Works Cited. 
520 |a "During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction--from alien invasions to biological mutation and space travel--the vast majority of these films subscribed to the affects and aesthetic of the horror film, anticipating the dominant dystopian turn of many science fiction films to come. Departing from American technological awe and optimism throughout the 1950s, these films were interested in paranoia, unease, fear, shock, and disgust. Not only do they address technophobia and its psychological, social, and cultural corollaries; they also return persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the U.S. military is omnipresent in these films. Regardless of their genre, these films have always been understood as allegories of the Cold War, registering anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, and communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, this book follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war in comparison to America's involvement in postcolonial conflicts around the globe"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Science fiction films.  |2 fast  |0 (OCoLC)fst01108616 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Armed Forces in motion pictures.  |2 fast  |0 (OCoLC)fst00814642 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
650 6 |a Cinema  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Films de science-fiction  |z États-Unis  |x Histoire et critique. 
650 0 |a Armed Forces in motion pictures. 
650 0 |a Motion pictures  |z United States  |x History  |y 20th century. 
650 0 |a Science fiction films  |z United States  |x History and criticism. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/58592/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement VII 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement VII