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190116r20192006enk o 00 0 eng d |
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|a 9780861969272
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|z 9780861966615
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|z 9780861969340
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|a (OCoLC)1076730264
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|a MdBmJHUP
|c MdBmJHUP
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|a PN1997.5
|b .A54 2006
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|a 791.43/34
|2 22
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|a Animated Worlds /
|c edited by Suzanne Buchan ; associate editors, David Surman, Paul Ward.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2019
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©2019
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|a 1 online resource (256 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references.
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|a Introduction / Suzanne Buchan -- The joyous reception: animated worlds and the romantic imagination / Rachel Kearney -- The animated spectator: watching the Quay Brothers' 'worlds' / Suzanne Buchan -- The strings of the marionette / Richard Weihe -- Gesturing toward Olympia / Heather Crow -- Literary Len: Trade Tattoo and Len Lye's link with the literary avant-garde / Miriam Harris -- Literary theory, animation and the 'subjective correlative': defining the narrative 'world' in Brit-lit animation / Paul Wells -- Animated fathers: representations of masculinity in The Simpsons and King of the hill / Suzanne Williams-Rautiola -- Animated interactions: animated aesthetics and the world of the 'interactive' documentary / Paul Ward -- New media worlds / Thomas Lamarre -- Style, consistancy and plausibility in the Fable gameworld / David Surman -- Final fantasies: computer graphic animation and the [dis]illusion of life / Vivian Sobchack -- An unrecognized treasure chest: the internet as animation archive / Karin Wehn.
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|a Access restricted to authorized users and institutions.
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|a What do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics.
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|a Description based on print version record.
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650 |
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|a Animation (Cinematography)
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|a Animated television programs
|x History and criticism.
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|a Animated films
|x History and criticism.
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|a Electronic books.
|2 local
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|a Ward, Paul,
|d 1968-
|e editor.
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|a Surman, David,
|e editor.
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|a Buchan, Suzanne,
|e editor.
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|a Project Muse,
|e distributor.
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|i Print version:
|w (DLC) 2007405669
|z 9780861966615
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58581/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VII
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945 |
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|a Project MUSE - Archive Film, Theater and Performing Arts Supplement VII
|