|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_58491 |
003 |
MdBmJHUP |
005 |
20230905050018.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
180409s2018 iau o 00 0 eng d |
020 |
|
|
|a 9781609385644
|
020 |
|
|
|z 9781609385637
|
035 |
|
|
|a (OCoLC)1030892451
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
245 |
0 |
0 |
|a Everybody Hurts :
|b Transitions, Endings, and Resurrections in Fan Cultures
|
264 |
|
1 |
|a Iowa City :
|b University of Iowa Press,
|c 2018.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2018
|
264 |
|
4 |
|c ©2018.
|
300 |
|
|
|a 1 online resource (269 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Fandom & culture
|
505 |
0 |
|
|a Introduction: starting at the end / Rebecca Williams -- Remembering R.E.M.: social media, memories and endings within music fandom / Lucy Bennett -- "I'll never break your heart": the perpetual fandom of the Backstreet Boys / Simone Driessen -- "My music was on shuffle, one of their songs came on and had to hit next ... ": navigating grief and disgust in Lostprophets fandom / Bethan Jones -- Breaking up with Breaking Bad: relational dissolution and the critically acclaimed AMC series -- Melissa A. Click and Holly Willson Holladay -- Fan euthanasia: a thin line between love and hate / Paul Booth -- Endings in soap opera: speculation and reaction to Eastenders' 30th anniversary storyline -- Stuart Bell and Ruth A Deller -- "Is this what you call a break up?": the cancellation of Merlin, perceived producer disloyalty and 'television-as-lover fandom' / Joseph Brennan -- Hannibal's refrigerator: Bryan Fuller's response to fan's (critical) rage -- Evelyn Deshane -- The repurposed fantasy: Doujinshi and the Japanese media mix / Anya Benson -- When production is over: creating narrative closure in fan edits / Nicolle Lamerichs -- Creating canon through kickstarter: Star Trek continues / Nichola Dobson -- Replacing Maelstrom: theme park fandom, place, and the Disney brand -- Rebecca Williams -- "The world's turned inside out, and we can never go home, anymore": Punchdrunk's site specific theater and fan interaction -- Emily Garside -- Internet killed the video store: video stores, cultural memory, nostalgia and fandom / Kathleen Williams -- Afterword: fannish affect and its aftermath / Kristina Busse.
|
520 |
|
|
|a Have you ever been a fan of a show that was canceled abruptly or that killed off a beloved character unexpectedly? Or perhaps it was rebooted after a long absence and now you're worried it won't be as good as the original? Anyone who has ever followed entertainment closely knows firsthand that such transitions can be jarring. Indeed, for truly loyal fans, the loss can feel very real-even throwing their own identity into question. Examining how fans respond to and cope with transitions, endings, or resurrections in everything from band breakups (R.E.M.) to show cancellations (Hannibal) to closing down popular amusement park rides, this collection brings together an eclectic mix of scholars to analyze the various ways fans respond to change. Essays explore practices such as fan discussion and creating alternative fan fictions, as well as cases where fans abandon their objects of interest completely and move on to new ones. Shedding light on how fans react, both individually and as a community, the contributors also trace the commonalities and differences present in fandoms across a range of media, and they pay close attention to the ways fandom operates across paratexts and transmedia forms including films, comics, and television. This fascinating approach promises to make an important contribution to the fields of fan, media, and cultural studies, and should appeal widely to students, scholars, and anyone else with a genuine interest in understanding why these transitions can have such a deep impact on fans' lives.--
|c Provided by Publisher.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a Fans (Persons)
|2 fast
|0 (OCoLC)fst00920677
|
650 |
|
7 |
|a Mass media and culture.
|2 fast
|0 (OCoLC)fst01011339
|
650 |
|
7 |
|a Popular culture
|x Social aspects.
|2 fast
|0 (OCoLC)fst01071386
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x General.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
|
650 |
|
7 |
|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
|
650 |
|
6 |
|a Medias et culture.
|
650 |
|
6 |
|a Culture populaire
|x Aspect social.
|
650 |
|
0 |
|a Fans (Persons)
|
650 |
|
0 |
|a Mass media and culture.
|
650 |
|
0 |
|a Popular culture
|x Social aspects.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
700 |
1 |
|
|a Williams, Rebecca,
|d 1981-
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58491/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2018 Complete
|
945 |
|
|
|a Project MUSE - 2018 Global Cultural Studies
|