Race Sounds : The Art of Listening in African American Literature /

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We live in a world of talk. Yet Race Sounds argues that we need to listen more-not just hear things, but actively listen-particularly in relation to how we engage race, gender, and class differences. Forging new ideas about the relationship between race and sound, Furlonge explores how black artists...

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Detalles Bibliográficos
Autor principal: Furlonge, Nicole Brittingham, 1972- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Iowa City : University of Iowa Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Comprehension.
Civil rights in literature.
American literature > African American authors.
LITERARY CRITICISM > American > African American.
LITERARY CRITICISM > American > General.
Droits de l'homme dans la litterature.
American literature > African American authors > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Attuned to it all: embodied listening and listening in print
  • Our literary audience: listenship in Zora Neale Hurston's Their eyes were watching God and Sterling Brown's "Ma Rainey"
  • To hear the silence of sound: vibrational listening in Ralph Ellison's Invisible man
  • When Malindy listens: audiogrpahic archiving in Gayl Jones's Corregidora
  • If I allow myself to listen: slavery, historial thinking, and aural encounters in David Bradley's The Chaneysville incident
  • New ways to make us listen: aural learning in the English classhroom
  • All living is listening: toward a aurally engaged citizenry.

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