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musev2_58262 |
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20230905045958.0 |
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100626s1991 ncu o 00 0 eng d |
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|a 9781469642734
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|z 9780807892428
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|a (OCoLC)1080550700
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040 |
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Clark, Fred M.
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245 |
1 |
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|a Impermanent Structures :
|b Semiotic Readings of Nelson Rodrigues' Vestido de noiva, Álbum de família, and Anjo negro /
|c by Fred M. Clark.
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264 |
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1 |
|a Chapel Hill :
|b [Distributed by University of North Carolina Press],
|c 1991.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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264 |
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|c ©1991.
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300 |
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|a 1 online resource (136 pages):
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a North Carolina studies in the Romance languages and literatures ;
|v no. 238
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520 |
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|a Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.
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588 |
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|a Description based on print version record.
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600 |
1 |
7 |
|a Rodrigues, Nelson.
|t Álbum de família.
|2 swd
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600 |
1 |
7 |
|a Rodrigues, Nelson.
|t Anjo negro.
|2 swd
|
600 |
1 |
7 |
|a Rodrigues, Nelson.
|t Vestido de noiva.
|2 swd
|
600 |
1 |
1 |
|a Rodrigues, Nelson.
|t Vestido de noiva.
|
600 |
1 |
1 |
|a Rodrigues, Nelson.
|t Album de família.
|
600 |
1 |
1 |
|a Rodrigues, Nelson.
|t Anjo negro.
|
600 |
1 |
0 |
|a Rodrigues, Nelson.
|t Anjo negro.
|
600 |
1 |
0 |
|a Rodrigues, Nelson.
|t Album de família.
|
600 |
1 |
0 |
|a Rodrigues, Nelson.
|t Vestido de noiva.
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650 |
|
7 |
|a Semiotik
|2 gnd
|
650 |
|
7 |
|a Theater
|x Semiotics.
|2 fast
|0 (OCoLC)fst01149299
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650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x Spanish & Portuguese.
|2 bisacsh
|
650 |
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6 |
|a Semiotique et theâtre.
|
650 |
|
0 |
|a Theater
|x Semiotics.
|
630 |
0 |
7 |
|a Vestido de noiva (Rodrigues, Nelson)
|2 fast
|0 (OCoLC)fst01365378
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655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
|
0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58262/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VII
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945 |
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|a Project MUSE - Archive Literature Supplement VII
|
945 |
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|a Project MUSE - Archive Latin American and Caribbean Studies Supplement VI
|