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170426s2018 inu o 00 0 eng d |
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|z 2017020635
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|a 9780253031808
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|z 9780253031792
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|z 9780253031754
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|a (OCoLC)984743233
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|a MdBmJHUP
|c MdBmJHUP
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|a Race and the Revolutionary Impulse in The Spook Who Sat by the Door /
|c edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto.
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|a Bloomington, Indiana :
|b Indiana University Press,
|c [2018]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©[2018]
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|a 1 online resource (238 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Studies in the Cinema of the Black Diaspora
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|a Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay.
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|a Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.
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|a Description based on print version record.
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630 |
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|a Spook who sat by the door (Motion picture)
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650 |
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7 |
|a Racism in motion pictures.
|2 fast
|0 (OCoLC)fst01086658
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650 |
|
7 |
|a Race relations in motion pictures.
|2 fast
|0 (OCoLC)fst01086566
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650 |
|
7 |
|a African Americans in motion pictures.
|2 fast
|0 (OCoLC)fst00799733
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650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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650 |
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6 |
|a Noirs americains au cinema.
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650 |
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6 |
|a Relations raciales au cinema.
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650 |
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6 |
|a Racisme au cinema.
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650 |
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0 |
|a African Americans in motion pictures.
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650 |
|
0 |
|a Race relations in motion pictures.
|
650 |
|
0 |
|a Racism in motion pictures.
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655 |
|
7 |
|a Electronic books.
|2 local
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700 |
1 |
2 |
|a Greenlee, Sam,
|d 1930-2014.
|t Spook who sat by the door.
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700 |
1 |
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|a Yaquinto, Marilyn,
|e editor.
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700 |
1 |
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|a Wall, David C.,
|e editor.
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700 |
1 |
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|a Martin, Michael T.,
|e editor.
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58248/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2018 American Studies
|