Ts'ao Yu, The Reluctant Disciple of Chekhov and O'Neil : A Study in Literary Influence /

Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow So...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lau, Joseph S. M., 1934-
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Hong Kong, China] : Hong Kong University Press, 1970
Colección:Centre of Asian Studies series ; no. 2.
Book collections on Project MUSE.
Temas:
Cao, Yu, > 1910-1996 > Knowledge > Literature.
Influence (Literary, artistic, etc.)
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Lau, Joseph S. M.,  |d 1934- 
245 1 0 |a Ts'ao Yu, The Reluctant Disciple of Chekhov and O'Neil :   |b A Study in Literary Influence /   |c Joseph S.M. Lau. 
264 1 |a [Hong Kong, China] :  |b Hong Kong University Press,  |c 1970 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©1970 
300 |a 1 online resource (96 pages):   |b digital file. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Centre of Asian Studies series ;  |v no. 2 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (p. [79]-83) and index. 
505 0 |a Acknowledgements -- Introduction: Ts'ao Yii and the rise of modern Chinese drama -- Thunderstorm: Its source and form -- Thunderstorm and desire under the El -- Sunrise and the "tearful" art of Chekhov -- Sunrise and the cherry orchard -- The noble savage as a rejuvenative symbol -- The wilderness and The Emperor Jones as studies of fear -- Peking man and the decline of Chinese gentility -- Tseng Wen-ch'ing and Ivanov: portraits of two "superfluous men" -- Conclusion -- Bibliography -- Index. 
506 |a Access restricted to authorized users and institutions. 
520 |a Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow Society, an amateurish dramatic club for experimental purposes. Their first play, staged in Tokyo in February of the same year, is an adaptation from Dumas' La dame aux camelias. The play had an all-male cast and used a strange mixture of old and new techniques. But to the Chinese audience brought up in the native operatic tradition, what must have seemed strange would not have been so much the mixture of technique old and new as the complete unfamiliarity of the plot and the method of its presentation: for neither the story nor the acting was anything akin to what they used to think, of as drama. 
588 |a Description based on print version record. 
600 1 0 |a Cao, Yu,  |d 1910-1996  |x Knowledge  |x Literature. 
650 0 |a Influence (Literary, artistic, etc.) 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Centre of Asian Studies series ;  |v no. 2. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/5823/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Foundation 
945 |a Project MUSE - Archive Literature Foundation 
945 |a Project MUSE - Archive Asian and Pacific Studies Foundation 

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