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Void and Voice : Questioning Narrative Conventions in André Gide's Major First-Person Narratives /

Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who u...

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Detalles Bibliográficos
Autor principal: O'Keefe, Charles, 1942-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : Dept. of Romance Languages, the University of North Carolina at Chapel Hill, 1996.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a O'Keefe, Charles,  |d 1942- 
245 1 0 |a Void and Voice :   |b Questioning Narrative Conventions in André Gide's Major First-Person Narratives /   |c by Charles O'Keefe. 
264 1 |a Chapel Hill :  |b Dept. of Romance Languages, the University of North Carolina at Chapel Hill,  |c 1996. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©1996. 
300 |a 1 online resource (260 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a North Carolina studies in the Romance languages and literatures ;  |v no. 251 
505 0 |a Ch. 1. L'Immoraliste. I. Narrative Form Touched by Excess. II. Questioning the Conventional Interpretation of the Framed Narrative in L'Immoraliste. A. Who Speaks? B. Historical Context of Framed Narrative. C. New Critical Space. D. Paradigmatic Value of the Frame in L'Immoraliste. III. Contradictions Inherent in the Accessible Voice. A. Michel, An Echo of Menalque. B. Michel, An Intertext of Rousseau. C. The Palimpsest -- Ch. 2. La Porte etroite. I. Jerome as Editor. A. Jerome the Misquoting "Author" B. Narrator vs. Editor. C. Critical Yield. D. Forme et Fond. II. Onomastics. A. Names of Secondary Characters. B. "Alissa" and "Jerome" -- Ch. 3. La Symphonie pastorale. I. How Do We Read a Lying Narrator? A. The Critical Dawning. B. Accusing the Pastor. C. Justifying a Consideration of Narrative Lying. D. Reading the Lie. E. Lying or Evangelizing? F. The Hidden Agendas. G. Verbal and Erotic Anarchy. H. Semiosis and the Drama of Substitution. II. Onomastics. 
520 |a Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who uses narrative strategies to show that there is a crucial connection between telling a story and telling the self. In particular, O'Keefe demonstrates the paradoxical fact that the tales simultaneously subvert and generate the illusion of their own mimetic presence. O'Keefe's study, with its judicious use of deconstructionist techniques, offers new insights into the literary and philosophical implications of Gide's fiction. 
546 |a Text in English with some notes and references in French. 
588 |a Description based on print version record. 
600 1 7 |a Gide, Andre,  |d 1869-1951.  |2 fast  |0 (OCoLC)fst00034185 
600 1 6 |a Gide, Andre,  |d 1869-1951.  |t Symphonie pastorale. 
600 1 6 |a Gide, Andre,  |d 1869-1951.  |t Porte etroite. 
600 1 6 |a Gide, Andre,  |d 1869-1951.  |t Immoraliste. 
600 1 6 |a Gide, Andre,  |d 1869-1951  |x Critique et interpretation. 
600 1 1 |a Gide, Andre,  |d 1869-1951  |x Criticism and interpretation. 
600 1 1 |a Gide, Andre,  |d 1869-1951.  |t Immoraliste. 
600 1 1 |a Gide, Andre,  |d 1869-1951.  |t Porte etroite. 
600 1 1 |a Gide, Andre,  |d 1869-1951.  |t Symphonie pastorale. 
600 1 0 |a Gide, Andre,  |d 1869-1951.  |t Symphonie pastorale. 
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650 6 |a Recits à la premiere personne. 
650 0 |a First person narrative. 
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630 0 7 |a Immoraliste (Gide, Andre)  |2 fast  |0 (OCoLC)fst01358684 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Archive Literature Supplement VII