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100407s1996 ncu o 00 0 eng d |
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|a 9781469642598
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|z 9780807892558
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|a (OCoLC)1080550566
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|a MdBmJHUP
|c MdBmJHUP
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|a O'Keefe, Charles,
|d 1942-
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|a Void and Voice :
|b Questioning Narrative Conventions in André Gide's Major First-Person Narratives /
|c by Charles O'Keefe.
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|a Chapel Hill :
|b Dept. of Romance Languages, the University of North Carolina at Chapel Hill,
|c 1996.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2019
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|c ©1996.
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|a 1 online resource (260 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a North Carolina studies in the Romance languages and literatures ;
|v no. 251
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|a Ch. 1. L'Immoraliste. I. Narrative Form Touched by Excess. II. Questioning the Conventional Interpretation of the Framed Narrative in L'Immoraliste. A. Who Speaks? B. Historical Context of Framed Narrative. C. New Critical Space. D. Paradigmatic Value of the Frame in L'Immoraliste. III. Contradictions Inherent in the Accessible Voice. A. Michel, An Echo of Menalque. B. Michel, An Intertext of Rousseau. C. The Palimpsest -- Ch. 2. La Porte etroite. I. Jerome as Editor. A. Jerome the Misquoting "Author" B. Narrator vs. Editor. C. Critical Yield. D. Forme et Fond. II. Onomastics. A. Names of Secondary Characters. B. "Alissa" and "Jerome" -- Ch. 3. La Symphonie pastorale. I. How Do We Read a Lying Narrator? A. The Critical Dawning. B. Accusing the Pastor. C. Justifying a Consideration of Narrative Lying. D. Reading the Lie. E. Lying or Evangelizing? F. The Hidden Agendas. G. Verbal and Erotic Anarchy. H. Semiosis and the Drama of Substitution. II. Onomastics.
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|a Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who uses narrative strategies to show that there is a crucial connection between telling a story and telling the self. In particular, O'Keefe demonstrates the paradoxical fact that the tales simultaneously subvert and generate the illusion of their own mimetic presence. O'Keefe's study, with its judicious use of deconstructionist techniques, offers new insights into the literary and philosophical implications of Gide's fiction.
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|a Text in English with some notes and references in French.
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|a Description based on print version record.
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600 |
1 |
7 |
|a Gide, Andre,
|d 1869-1951.
|2 fast
|0 (OCoLC)fst00034185
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600 |
1 |
6 |
|a Gide, Andre,
|d 1869-1951.
|t Symphonie pastorale.
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600 |
1 |
6 |
|a Gide, Andre,
|d 1869-1951.
|t Porte etroite.
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600 |
1 |
6 |
|a Gide, Andre,
|d 1869-1951.
|t Immoraliste.
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1 |
6 |
|a Gide, Andre,
|d 1869-1951
|x Critique et interpretation.
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1 |
1 |
|a Gide, Andre,
|d 1869-1951
|x Criticism and interpretation.
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600 |
1 |
1 |
|a Gide, Andre,
|d 1869-1951.
|t Immoraliste.
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600 |
1 |
1 |
|a Gide, Andre,
|d 1869-1951.
|t Porte etroite.
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600 |
1 |
1 |
|a Gide, Andre,
|d 1869-1951.
|t Symphonie pastorale.
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600 |
1 |
0 |
|a Gide, Andre,
|d 1869-1951.
|t Symphonie pastorale.
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600 |
1 |
0 |
|a Gide, Andre,
|d 1869-1951.
|t Porte etroite.
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600 |
1 |
0 |
|a Gide, Andre,
|d 1869-1951.
|t Immoraliste.
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600 |
1 |
0 |
|a Gide, Andre,
|d 1869-1951
|x Criticism and interpretation.
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650 |
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|a Fictie.
|2 gtt
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650 |
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|a First person narrative.
|2 fast
|0 (OCoLC)fst00925781
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650 |
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|a LITERARY CRITICISM
|x Semiotics & Theory.
|2 bisacsh
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650 |
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|a Recits à la premiere personne.
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650 |
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|a First person narrative.
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630 |
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7 |
|a Porte etroite (Gide, Andre)
|2 fast
|0 (OCoLC)fst01367690
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630 |
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7 |
|a Immoraliste (Gide, Andre)
|2 fast
|0 (OCoLC)fst01358684
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/58171/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement VII
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945 |
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|a Project MUSE - Archive Literature Supplement VII
|