Cargando…

The Dark Precursor : Deleuze and Artistic Research / Volume I, The dark precursor in sound and writing : The dark precursor in sound and writing : Volume I,

Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays nume...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Giudici, Paolo (Editor ), Assis, Paulo de (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2018
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_57956
003 MdBmJHUP
005 20230905045940.0
006 m o d
007 cr||||||||nn|n
008 180316r20182017be o 00 0 eng d
020 |a 9789461662330 
020 |z 9789462701182 
035 |a (OCoLC)1028970022 
040 |a MdBmJHUP  |c MdBmJHUP 
050 4 |a B2430.D454  |b D377 2017eb vol. 1 
245 0 4 |a The Dark Precursor :   |b Deleuze and Artistic Research /   |n Volume I,  |p The dark precursor in sound and writing :  |c edited by Paulo de Assis and Paolo Giudici.  |p The dark precursor in sound and writing :  |n Volume I, 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2018 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2018 
264 4 |c ©2018 
300 |a 1 online resource (572 pages):   |b illustrations, music 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Published for Orpheus Institute, Ghent 
504 |a Includes bibliographical references and index. 
505 0 |a Preface / Paulo de Assis -- part 1. Sound -- The obscure precursor, French modernism, and the musics of the world / Edward Campbell -- The executing machine : Deleuze, Boulez, and the politics of desire / Martin Scherzinger -- Deleuze's fold in the performing practice of Aaron Cassidy's The pleats of matter / Diego Castro-Magas -- Variables, diagrams, process / Pascale Criton -- Performing music, performing the figure : Deleuze and painting / Lois Fitch -- Machining the voice through the continuous variation / Paolo Galli -- Templates for technique in Mantel and Lachenmann : between transcendence and immanence / Keir GoGwilt -- Towards a figural paradigm in music : capture of forces and logic of sensation in Geometries de l'abîme (LeBlanc), In Vivo (Cendo), and The restoration of objects (McCormack) / Jimmie LeBlanc -- L'image-temps : conceptual foundations of my compositional approach / Nicolas Marty -- Circumstantial scores, graphic scores, extended scores : the work as "ecopraxic" rediagrammatisation / Frederic Mathevet -- Perform now! The ethics of musical improvisation / Vincent Meelberg -- Thinking sound through the notion of the time-image : Deleuze's cinema studies as a model for problematising sound in artistic practice / Gabriel Paiuk -- Re-notations : flattening hierarchies and transforming functions / Einar Torfi Einarsson -- Alone/together : simulacral "a-presentation" in and into practice-as-research in jazz / Steve Tromans and Mike Fletcher -- A journey of refrains, vibes, and ambiences : Felix Guattari in terms of the techno party scene / Toshiya Ueno, aka Toshiya the Triba -- part 2. Writing and staging -- Corpus Delicti #2 : untimely precursors lecture performance / Arno Böhler and Susanne Valerie -- Deleuze's expressionism as an ontology for theatre / Zornitsa Dimitrova -- Space and sensation : Zoe Degani's art of pluralising signs onstage / Lindsay Gianoukas -- Journey into the unknown : Romeo Castellucci's theatre of signs / Oleg Lebedev -- From schizoproduction to non-standard artistic research / Tero Nauha -- Deleuze and perversion / Catarina Pombo Nabais -- Deleuze, Simondon, and Beckett : from being to becoming / Audronė Žukauskaitė. 
506 |a Access restricted to authorized users and institutions. 
520 |a Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Felix Guattari. Within different understandings of artistic research, the authors--composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists--map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies. 
588 |a Description based on print version record. 
600 1 0 |a Deleuze, Gilles,  |d 1925-1995. 
650 0 |a Art  |x Study and teaching  |x Philosophy. 
655 7 |a Electronic books.   |2 local 
700 1 |a Giudici, Paolo,  |e editor. 
700 1 |a Assis, Paulo de,  |e editor. 
710 2 |a Orpheus Instituut,  |e issuing body. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789462701182 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/57956/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2018 Complete 
945 |a Project MUSE - 2018 Film, Theater and Performing Arts