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180309r20182017be o 00 0 eng d |
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|a 9789461662408
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|z 9789462701120
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|a (OCoLC)1028189730
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|a MdBmJHUP
|c MdBmJHUP
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|a e------
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|a D359.7
|b .C856 2017
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|a Cultural Mediation in Europe, 1800-1950 /
|c edited By Reine Meylaerts, Lieven D'hulst & Tom Verschaffel.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2018
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|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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|c ©2018
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|a 1 online resource (224 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references and index.
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|a Introduction / Reine Meylaerts, Lieven D'hulst & Tom Verschaffel -- I. Actors. -- James/Diego/Jaime Clark : shedding light on the translator who sparked modern Spanish translations of Shakespeare / Inmaculada Serón Ordóñez -- Hendrik Willem Mesdag : an enterprising artist and collector / Renske Suijver -- Paris in the late nineteenth-early twentieth century : the consecration of European letters or the production of "belles infideles"? -- Amelie Auzoux -- II. Journals -- Cultural transfer through translation in the Edinburgh review, 1802-1807 / Tom Toremans -- Mediating Breuer : the transfer of images and texts on Marcel Breuer's tubular steel furniture / Ágnes Anna Sebestyen -- Spreading the word and image of modernism : Christian Zervos and Cahiers d'art, 1926-1960 / Kate Kangaslahti -- III. Politics -- Towards a comparative history of mediators : double men and women / Christophe Charle -- Mediating through translation : Irish cultural nationalism and European importations / Anne O'Connor -- Germany as a cultural paragon : transferring modern musical life from Central Europe to Finland / Vesa Kurkela & Saijaleena Rantanen -- Dada--rag-time--cabaret : artistic internationalism and multilingual writing in Walter Mehring's work / Dirk Weissmann.
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|a Access restricted to authorized users and institutions.
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|a From the early nineteenth century till the middle of the twentieth century, cultures in Europe were primarily national. They were organized and conceived of as attributes of the nation states. Nonetheless, these national cultures crossed borders with an unprecedented intensity even before globalization transformed the very concept of culture. During that long period, European cultures have imported and exported products, techniques, values, and ideas, relying on invisible but efficient international networks. The central agents of these networks are considered mediators: translators, publishers, critics, artists, art dealers and collectors, composers. These agents were not only the true architects of intercultural transfer, they also largely contributed to the shaping of a common canon and of aesthetic values that became part of the history of national cultures. Cultural Mediation in Europe, 1800-1950 analyses the strategic transfer roles of cultural mediators active in large parts of Western Europe in domains as varied as literature, music, painting, or art design.
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|a Description based on print version record.
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|a Cultural relations.
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|a Europe
|x Relations
|y 20th century.
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|a Europe
|x Relations
|y 19th century.
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|a Europe
|x Civilization
|y 20th century.
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|a Europe
|x Civilization
|y 19th century.
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|a Electronic books.
|2 local
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|a Verschaffel, Tom,
|e editor.
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|a Hulst, Lieven d',
|e editor.
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|a Maylaerts, Reine,
|e editor.
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|a Project Muse,
|e distributor.
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|i Print version:
|z 9789462701120
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/57953/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2018 Complete
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|a Project MUSE - 2018 History
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