The Voice of Technology : Soviet Cinema's Transition to Sound, 1928-1935 /

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As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kaganovsky, Lilya (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2018
Colección:Book collections on Project MUSE.
Temas:
Motion picture industry and state > Soviet Union > History.
Sound motion pictures > Soviet Union > History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : the long transition : Soviet cinema and the coming of sound
  • The voice of technology and the end of Soviet silent film : Grigori Kozintsev and Leonid Trauberg's Alone
  • The materiality of sound : Dziga Vertov's Enthusiasm and Esfir Shub's K.Sh.E.
  • The homogeneous thinking subject, or Soviet cinema learns to sing : Igor Savchenko's The accordion
  • Multilingualism and heteroglossia in Aleksandr Dovzhenko's Ivan and Aerograd
  • "Les silences de la voix" : Dziga Vertov's Three songs of Lenin
  • Conclusion : socialist realist sound.

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