An Aesthetics of Injury : The Narrative Wound from Baudelaire to Tarantino /

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Detalles Bibliográficos
Autor principal: Fleishman, Ian Thomas (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, 2018.
Colección:Book collections on Project MUSE.
Temas:
Wounds and injuries in motion pictures.
Wounds and injuries in literature.
German fiction.
French fiction.
LITERARY CRITICISM > General.
Roman français > 20e siecle > Histoire et critique.
Roman allemand > 20e siecle > Histoire et critique.
Lesions et blessures dans la litterature.
Lesions et blessures au cinema.
French fiction > 20th century > History and criticism.
German fiction > 20th century > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction. An aesthetic of injury: Decadence and aestheticism
  • An aesthetic of injury
  • The literary wound on trial: poetic decadence and Baudelaire's Flowers of evil
  • "Sinnbild der Wunde": the ambivalent aestheticism of Kafka's A country doctor
  • Bataille's bruise: the mutilated writing of The blue of noon (1927/1935/1957)
  • The poetics of omission
  • The textual orifice: holes in Genet's Funeral rites
  • "Ce qui est coupe repousse": Cixous's Breaths (1975) and the poetics of omission
  • The woman on the wall: Bachmann's Malina (1971)
  • Jelinek's and Schroeter's Malina
  • The filmic cut: Jelinek's The piano teacher (1983)
  • Haneke's The piano teacher
  • Conclusion
  • Epilogue: The final cut. Quentin Tarantino, or modernism dismembered.

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