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The Lapidary's Nosegay
"The Lapidary's Nosegay, Lara Candland's primer of poems, presents to readers a bouquet of resplendent poems that Candland has created, collaged, curated, and re-imagined by using the rich floral and gem imagery in the poetry of Emily Dickinson as her primary source material. Dickinso...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University Press of Colorado,
2018.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 180217s2018 ilu o 00 0 eng d | ||
| 020 | |a 9781885635624 | ||
| 020 | |z 9781885635617 | ||
| 035 | |a (OCoLC)1023491810 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Candland, Lara. | |
| 245 | 1 | 4 | |a The Lapidary's Nosegay |
| 264 | 1 | |a Chicago : |b University Press of Colorado, |c 2018. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©2018. | |
| 300 | |a 1 online resource (126 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Mountain West Poetry Series | |
| 505 | 0 | |a Cover; Table of Contents; A Key to Parenthetical and Other Markings; Notes on the Writing of The Lapidaryâ#x80;#x99;s Nosegay; A sudden (((bright coin))); Ambuscade of (((cl(o)ver))); (((Angels))) babbleâ#x80;#x94;; Beetle's (o)rdination; Br(o)ken spectacles; (((Buttercups))) (((ranunculuses))); Chartered from (((my otterâ#x80;#x99;s wind(ow))))â#x80;#x94;; (((Daff(o)dils))) (((my blondines))); Declined (((day))); Dim unsuspected tenderness; Eyesâ#x80;#x94; little (like) treesâ#x80;#x94;; (((((Fairy P(o)et))))); ((Gh(o)st)) (((bl(oo)ms))); (((Gl(o)be)))â#x80;#x94;bashfulâ#x80;#x94;((humming)); (((Green artificer)))â#x80;#x94;; (((H(oa)rd of (((gems)))))). | |
| 505 | 0 | |a (((I))) diedI gather idle (((bumblebees))); Jointedâ#x80;#x94;; Kingâ#x80;#x99;s rep(o)se; Lostâ#x80;#x94;; My; (((Moth-star dropt))) int(o) the (o)rchard; Night (((onyx))); (((O!))) (((heart)))-sodden!!!; Our (((august))) antiquary ransacks & ; Pare this sapphire (((apple))); Pauperâ#x80;#x99;s slit of silk; The (((P(o)etâ#x80;#x99;s))) zephyr angry; Peeps ont(o) that sleeping (((egg))) ((())); Quiveringâ#x80;#x94;; Ragged phoebes (((trem(o)r))) :::; ((Rapt)) (((::::: m(o)rning of all m(o)rnings))); R(ou)geâ#x80;#x94;; Septemberâ#x80;#x99;s escutcheon; (((Sn(ow)))) aprilly does (((Gh(o)st))) & whiff across the altar. | |
| 505 | 0 | |a The child is scr(o)lled up like a small pretty ((ear))(((Timbral))) she fleshly flickersâ#x80;#x94;; This (((broily))) day; Throng of ac(o)rns ::::::; ((Unfrequented)) august; Vane turnsâ#x80;#x94;; We have slendered ourselves; (((Wind(ow)â#x80;#x99;s))) (((sparkling))) an(o)dyne; (((onyX))) night :::::::::::::; (((Yclept))) & (((chrysalid))); Zinnia???; Equations and Sums of Parenthetical Combinations; Acknowledgments. | |
| 520 | |a "The Lapidary's Nosegay, Lara Candland's primer of poems, presents to readers a bouquet of resplendent poems that Candland has created, collaged, curated, and re-imagined by using the rich floral and gem imagery in the poetry of Emily Dickinson as her primary source material. Dickinson and Candland share linguistic and theological roots in the Bible, nineteenth-century American Protestantism, and a lexicon distinctive to their specific individuarian communities, and this collection of poems draws a serpentine kind of map across nearly two centuries, journeying from Amherst, Massachusetts to Provo, Utah, from Dickinson's severe and lush New England to Candland's own jagged, harsh, and stunning high desert Utah. The Lapidary's Nosegay explores the ways that both poets have simultaneously challenged and embraced the axiomatic constraints of religion, landscape, and cultural conventions and expectations of each poet's time and place. Aesthetically, Candland attempts to challenge the hierarchies of the page through linguistic, typographic, and sonic experimentation. The Lapidary's Nosegay carries Dickinsonian echoes to alliterative and parenthetic excessivities that indicate sound stresses, or that pictographically invoke sun, god, ghosts, ecstasy, and the jewels and flowers tumbling throughout Dickinson's own poems. This collection works at toppling textual hierarchies, systematically jumbling sound, text, meaning, symbol, and context, entering the vein of radical American aesthetics, politics, and culture that have shaped Candland's life and poetics."--Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a American poetry. |2 fast |0 (OCoLC)fst00807348 | |
| 650 | 7 | |a FICTION |x General. |2 bisacsh | |
| 650 | 0 | |a American poetry |y 21st century. | |
| 655 | 7 | |a Poesie experimentale. |2 rvmgf | |
| 655 | 7 | |a Experimental poetry. |2 lcgft | |
| 655 | 7 | |a Experimental poetry. |2 fast |0 (OCoLC)fst01726603 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/57789/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Poetry, Fiction and Creative Non-Fiction | ||