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Shashibiya : Staging Shakespeare in China /
Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong [China] :
Hong Kong University Press,
2003
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9789882202757 | ||
| 020 | |z 9789622096288 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
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| 082 | 0 | |a 822.33 |2 22 | |
| 100 | 1 | |a Li, Ruru. | |
| 245 | 1 | 0 | |a Shashibiya : |b Staging Shakespeare in China / |c Li Ruru. |
| 264 | 1 | |a Hong Kong [China] : |b Hong Kong University Press, |c 2003 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©2003 | |
| 300 | |a 1 online resource (328 pages): |b ill. (some col.), digital file. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (p. [285]-295) and index. | ||
| 505 | 0 | |a Shakespeare in China: between his first "arrival" and the Cultural Revolution -- Orthodox presentations in Chinese eyes: Much ado about nothing (1957, revival: 1961 & 1979); Macbeth (1980) -- Rebels against the classics: Hamlet (1989, 1990 & 1994); Othello (1994) -- The Chinese faces of Shakespeare: blood-stained hands (Xie shou ji)/Macbeth (1986); Looking for trouble (Wushishengfei)/Much ado about nothing (1986); The prince's revenge (Wangzi fuchou ji)/Hamlet (1994) -- Keeping Shakespeare in the "original sauce": Twelfth night (Di shi'er ye, 1986); Othello (Aosailuo, 1983, 1986 & 1987) -- Another dimension in intercultural Shakespeare: an English/Chinese Macbeth (1994); a Taiwan/mainland Shamlet (a parody on Hamlet, 1994) -- Old man Sha: dead or sleeping? | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Discussing the levels of filtering that any Shakespeare performance in China undergoes, this work examines how these filters reflect the continually changing political, social and cultural practices. The study also traces the history of Shakespeare performance in China over the last century. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history |z China. |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. | |
| 776 | 1 | 8 | |i Print version: |z 962209628X |z 9789622096288 |z 9622096298 |z 9789622096295 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/5758/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Foundation | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Foundation | ||
| 945 | |a Project MUSE - Archive Asian and Pacific Studies Foundation | ||