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The Pop Palimpsest : Intertextuality in Recorded Popular Music /
Why do rich countries flirt with fiscal disaster? Between the 1970s and the 2000s, during times of peace and prosperity, affluent countries-like Belgium, Greece, Italy, and Japan-accumulated so much debt that they became vulnerable and exposed themselves to the risk of default. In the past three dec...
| Otros Autores: | , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
[2018]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780472123513 | ||
| 020 | |z 9780472130672 | ||
| 035 | |a (OCoLC)1004981775 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 4 | |a The Pop Palimpsest : |b Intertextuality in Recorded Popular Music / |c Lori Burns and Serge Lacasse, editors ; foreword by J. Peter Burkholder. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2018] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2018 | |
| 264 | 4 | |c ©[2018] | |
| 300 | |a 1 online resource (380 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Tracking pop | |
| 505 | 0 | |a Intro; Contents; Foreword: The Intertextual Network -- J. Peter Burkholder; Introduction -- Lori Burns and Serge Lacasse; Section I. Transtextualities; 1. Toward a Model of Transphonography -- Serge Lacasse; 2. Genettean Hypertextuality as Applied to the Music of Genesis: Intertextual and Intratextual Approaches -- Roger Castonguay; Section II. Intertextual Analyses; 3. The Bitter Taste of Praise: Singing a#x80;#x9C;Hallelujaha#x80;#x9D; -- Allan Moore; 4. The Electric Light Orchestra and the Anxiety of the Beatlesa#x80;#x99; Influence -- Mark Spicer. | |
| 505 | 0 | |a 5. a#x80;#x9C;If Youa#x80;#x99;re Gonna Have a Hita#x80;#x9D;: Intratextual Mixes and Edits of Pop Recordings -- Walter Everett6. Someone and Someone: Dialogic Intertextuality and Neil Young -- William Echard; 7. Intertextuality in the Nineteenth-Century French Vaudeville -- Mary S. Woodside; Section III. Intermedial Subjectivities; 8. Rap Gods and Monsters: Words, Music, and Images in the Hip-Hop Intertexts of Eminem, Jay-Z, and Kanye West -- Lori Burns and Alyssa Woods; 9. Performative Strategies and Musical Markers in the Eurythmicsa#x80;#x99; a#x80;#x9C;I Need a Mana#x80;#x9D; -- Stan Hawkins; Section IV. Intertextual Productions. | |
| 505 | 0 | |a 10. Timbre as Text: The Cognitive Roots of Intertextuality -- Simon Zagorski-Thomas11. Intertextuality and Lineage in The Gamea#x80;#x99;s a#x80;#x9C;We Aina#x80;#x99;ta#x80;#x9D; and Kendrick Lamara#x80;#x99;s a#x80;#x9C;m.A.A.d. Citya#x80;#x9D; -- Justin A. Williams; 12. Mix Tapes, Memory, and Nostalgia: An Introduction to Phonographic Anthologies Serge Lacasse and Andy Bennett; List of Contributors; Index. | |
| 520 | |a Why do rich countries flirt with fiscal disaster? Between the 1970s and the 2000s, during times of peace and prosperity, affluent countries-like Belgium, Greece, Italy, and Japan-accumulated so much debt that they became vulnerable and exposed themselves to the risk of default. In the past three decades, an extensive scholarly consensus emerged that these problems were created by fiscal indiscipline, the lack of sufficient concern for budgetary constraints from policy makers as they try to please voters. This approach formed the foundation for the fiscal surveillance system that attempted to bring borrowing in European countries under control via a set of fiscal rules. In the Red demonstrates that the problem of sustained, large-scale debt accumulation is an adjustment issue rather than a governance failure. Irrespective of whether the original impetus for borrowing arose from exogenous changes or irresponsible decision making, policy makers invariably initiate spending cuts and/or tax increases when debt grows at an alarming rate for several years in a row. Zsof́ia Barta argues that explaining why some countries accumulate substantial amounts of debt for decades hinges on understanding the conditions required to allow policy makers to successfully put into place painful adjustment measures. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 650 | 7 | |a Intertextuality. |2 fast |0 (OCoLC)fst00977562 | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 6 | |a Intertextualite. | |
| 650 | 6 | |a Musique populaire |x Histoire et critique. | |
| 650 | 0 | |a Intertextuality. | |
| 650 | 0 | |a Popular music |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Burns, Lori. | |
| 700 | 1 | |a Lacasse, Serge. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/57544/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2018 Complete | ||
| 945 | |a Project MUSE - 2018 Film, Theater and Performing Arts | ||