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Parading Respectability : The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa /

Parading respectability: The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa is an intimate and incisive portrait of the Christmas Bands Movement in the Western Cape of South Africa. Drawing on her own on background as well as her extended research stu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bruinders, Sylvia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2019
Edición:First edition.
Colección:African humanities series.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bruinders, Sylvia,  |e author. 
245 1 0 |a Parading Respectability :   |b The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa /   |c Sylvia Bruinders. 
250 |a First edition. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2019 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©2019 
300 |a 1 online resource (226 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a African humanities series 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Sociopolitical and historical introduction -- Ethnography of the Christmas bands movement -- The St. Joseph's Christmas Band -- From oral/aural to literate : musical transmission in the Christmas bands -- Militarism in the bands : Christmas bands competitions -- Hidden subjectivities : women's involvement in the Christmas bands. 
506 |a Access restricted to authorized users and institutions. 
520 |a Parading respectability: The cultural and moral aesthetics of the Christmas Bands Movement in the Western Cape, South Africa is an intimate and incisive portrait of the Christmas Bands Movement in the Western Cape of South Africa. Drawing on her own on background as well as her extended research study period during which she became a band member and was closely involved in its day-to-day affairs, the author, Dr Sylvia Bruinders, documents this centuries-old expressive practice of ushering in the joy of Christmas through music by way of a social history of the coloured communities. In doing so, she traces the slave origins of the Christmas Bands Movement, as well as how the oppressive and segregationist injustices of both colonialism and apartheid, together with the civil liberties afforded in the South African Constitution (1996) after the country became a democracy in 1994 have shaped the movement. 
588 |a Description based on print version record. 
650 0 |a Popular music  |z South Africa  |z Cape Town. 
650 0 |a Popular music  |x Religious aspects  |x Christianity. 
650 0 |a Bands (Music)  |z South Africa  |z Western Cape. 
650 0 |a Marching bands  |z South Africa  |z Western Cape  |x History. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9781920033194 
710 2 |a Project Muse.  |e distributor 
830 0 |a African humanities series. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/57281/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete Supplement 
945 |a Project MUSE - 2017 Film, Theater and Performing Arts Supplement 
945 |a Project MUSE - 2017 African Studies Supplement