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Gender and the Gothic in the Fiction of Edith Wharton /

Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and importance of her fiction that defies that cat...

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Detalles Bibliográficos
Autor principal: Fedorko, Kathy A., 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Tuscaloosa : University of Alabama Press, 1995.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fedorko, Kathy A.,  |d 1947- 
245 1 0 |a Gender and the Gothic in the Fiction of Edith Wharton /   |c Kathy A. Fedorko. 
264 1 |a Tuscaloosa :  |b University of Alabama Press,  |c 1995. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2019 
264 4 |c ©1995. 
300 |a 1 online resource (219 pages). 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a 1. The Gothic Text: Life and Art -- 2. Fearing the Feminine -- 3. Confronting the Limits of Reason -- 4. Reclaiming the Feminine -- 5. Surviving the Abyss and Revising Gender Roles. 
520 8 |a Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and importance of her fiction that defies that categorization. It provides a provocative approach to Wharton's handling of and response to gender and complicates current assumptions about her response to the feminine and the maternal. 
520 |a Using feminist archetypal theory and theory of the female Gothic, Fedorko shows how, in sixteen short stories and six major novels written during four distinct periods of her life, Wharton adopts and adapts Gothic elements as a way to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them. A distinction in her use of the form is that she has both women and men engage in a process of individuation during which they confront the abyss, the threatening and disorienting feminine/maternal. Wharton deconstructs traditional Gothic villains and victims by encouraging the reader to identify with those characters who are willing to assimilate this confrontation with the feminine/maternal into their sense of themselves as women and men. In the novels with Gothic texts Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a fe/male self. 
588 |a Description based on print version record. 
600 1 7 |a Wharton, Edith.  |2 swd 
600 1 7 |a Wharton, Edith,  |d (1862-1937)  |x Critique et interpretation.  |2 ram 
600 1 7 |a Wharton, Edith  |d 1862-1937.  |2 gnd 
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600 1 6 |a Wharton, Edith,  |d 1862-1937  |x Critique et interpretation. 
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650 7 |a Femmes  |x Psychologie  |x Dans la litterature.  |2 ram 
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650 7 |a Relations hommes femmes dans la litterature.  |2 ram 
650 7 |a Roman gothique  |z États-Unis.  |2 ram 
650 7 |a Sexisme  |x Dans la litterature.  |2 ram 
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650 7 |a Psychological fiction, American.  |2 fast  |0 (OCoLC)fst01081348 
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650 7 |a Man-woman relationships in literature.  |2 fast  |0 (OCoLC)fst01007097 
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650 7 |a Gender identity in literature.  |2 fast  |0 (OCoLC)fst00939607 
650 7 |a Femininity in literature.  |2 fast  |0 (OCoLC)fst00922666 
650 7 |a Gothic fiction (Literary genre)  |2 fast  |0 (OCoLC)fst01745235 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Rôle selon le sexe dans la litterature. 
650 6 |a Identite sexuelle dans la litterature. 
650 6 |a Relations entre hommes et femmes dans la litterature. 
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650 6 |a Masculinite dans la litterature. 
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650 0 |a Women and literature  |z United States  |x History. 
650 0 |a Psychological fiction, American  |x History and criticism. 
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945 |a Project MUSE - Archive Literature Supplement VII