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Searching for Sycorax : Black Women's Hauntings of Contemporary Horror /

Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes and interrogating forms of literature that ha...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brooks, Kinitra Dechaun (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, New Jersey : Rutgers University Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Brooks, Kinitra Dechaun,  |e author. 
245 1 0 |a Searching for Sycorax :   |b Black Women's Hauntings of Contemporary Horror /   |c Kinitra D. Brooks. 
264 1 |a New Brunswick, New Jersey :  |b Rutgers University Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2018] 
300 |a 1 online resource (220 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction. searching for Sycorax : black women and horror -- 1. The importance of neglected intersections : characterizations of black women in mainstream horror texts -- 2. Black feminism and the struggle for literary respectability -- 3. Black women writing fluid fiction : an open challenge to genre normativity -- 4. Folkloric horror : a new way of reading black women's creative horror -- Conclusion. Sycorax's power of revision : reconstructing black women's counternarratives -- Appendix : creative work summary. 
506 |a Access restricted to authorized users and institutions. 
520 |a Searching for Sycorax highlights the unique position of Black women in horror as both characters and creators. Kinitra D. Brooks creates a racially gendered critical analysis of African diasporic women, challenging the horror genre's historic themes and interrogating forms of literature that have often been ignored by Black feminist theory. Brooks examines the works of women across the African diaspora, from Haiti, Trinidad, and Jamaica, to England and the United States, looking at new and canonized horror texts by Nalo Hopkinson, NK Jemisin, Gloria Naylor, and Chesya Burke. These Black women fiction writers take advantage of horror's ability to highlight U.S. white dominant cultural anxieties by using Africana folklore to revise horror's semiotics within their own imaginary. Ultimately, Brooks compares the legacy of Shakespeare's Sycorax (of The Tempest) to Black women writers themselves, who, deprived of mainstream access to self-articulation, nevertheless influence the trajectory of horror criticism by forcing the genre to de-centralize whiteness and maleness.  
588 |a Description based on print version record. 
650 0 |a Women authors, Black. 
650 0 |a Women, Black, in literature. 
650 0 |a Horror tales  |x History and criticism. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/57096/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Literature 
945 |a Project MUSE - 2017 American Studies