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The Systemic Image : A New Theory of Interactive Real-Time Simulations /
In media art history as well as in science studies an intensified reception of cybernetic and system-theoretical concepts can be seen in the last few years. In this work, a conceptualization of the relationship between the systemic and the iconic in interactive real-time simulations is proposed.
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Cambridge, Massachusetts :
The MIT Press,
[2017]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 041 | 1 | |a eng |h ger | |
| 100 | 1 | |a Hinterwaldner, Inge, |e author. | |
| 240 | 1 | 0 | |a Systemische Bild. |l English |
| 245 | 1 | 4 | |a The Systemic Image : |b A New Theory of Interactive Real-Time Simulations / |c Inge Hinterwaldner ; translated by Elizabeth Tucker. |
| 264 | 1 | |a Cambridge, Massachusetts : |b The MIT Press, |c [2017] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2017 | |
| 264 | 4 | |c ©[2017] | |
| 300 | |a 1 online resource (432 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Intro; Contents; Acknowledgments; Introduction; The Object of Study; "Systemic Image" in Two Connotations; Divisions; Differentiation of Terms; 1 Approaches to a Concept of Simulation; 1.1 Simulations and Their Contested Representational Capacity; 1.2 Missing Links: Simulations and Simulacra; 1.3 Computer Simulations in Relation to "System" and "Dynamic"; 2 The Perspectivation of Simulations; 2.1 Central Perspective in Discussions on Contemporary Image Production; 2.2 A Structural Comparison with Central Perspective; 2.3 The Special Case of Interactive Real-Time Simulations | |
| 505 | 0 | |a 2.4 A Critique of the Simulation Dynamic2.5 Perspective and Schematism; 2.6 Systems Aesthetics; 3 Modeling and Iconization; 3.1 On the Position and Role of Models; 3.2 Semiautonomous Iconization; 3.3 Sources of Design; 3.4 Two Types of Models; 4 Iconicity and Dynamic; 4.1 Figurative Displays; 4.2 Movement as a Design Element; 4.3 An Increase in Movement; 4.4 Designing the Experientiability of Events; 4.5 Excursus: The Rhetoric of the "Alive"; 4.6 Temporal Components and the Modulation of Experiential Time; 5 Characteristics of the Iconicity of Simulations | |
| 505 | 0 | |a 5.1 Approaches to the Iconicity of Simulations5.2 From Results to Events; 5.3 Building Actions and Situations; 5.4 Manifold Variations; 5.5 Degrees of Freedom, Calculability Problems, and Levels of Description; 5.6 Cuts below the Surface; 5.7 Cuts on the Surface; 5.8 Reforming Forms; 6 Iconicity and Interactivity; 6.1 For an Interweaving of Iconicity and Interactivity; 6.2 Prefabricated Paths versus Designed Situations; 6.3 Approaches to Iconicity in Computer Simulations; 6.4 Iconic Modes of Control; 6.5 Avatars Astray; 6.6 (Unstable) Image as Variable Interface; Conclusion; Notes | |
| 520 | 8 | |a In media art history as well as in science studies an intensified reception of cybernetic and system-theoretical concepts can be seen in the last few years. In this work, a conceptualization of the relationship between the systemic and the iconic in interactive real-time simulations is proposed. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Echtzeitbildverarbeitung |2 gnd | |
| 650 | 7 | |a Computersimulation |2 gnd | |
| 650 | 7 | |a Visualization. |2 fast |0 (OCoLC)fst01168121 | |
| 650 | 7 | |a Simulation methods. |2 fast |0 (OCoLC)fst01119166 | |
| 650 | 7 | |a Science |x Computer simulation. |2 fast |0 (OCoLC)fst01108202 | |
| 650 | 7 | |a Interactive multimedia. |2 fast |0 (OCoLC)fst00975995 | |
| 650 | 7 | |a Art and technology. |2 fast |0 (OCoLC)fst00815441 | |
| 650 | 7 | |a ART |x History |x Contemporary (1945- ) |2 bisacsh | |
| 650 | 7 | |a simulation methods. |2 aat | |
| 650 | 6 | |a Art et technologie. | |
| 650 | 6 | |a Methodes de simulation. | |
| 650 | 6 | |a Multimedias interactifs. | |
| 650 | 6 | |a Visualisation. | |
| 650 | 6 | |a Sciences |x Simulation par ordinateur. | |
| 650 | 6 | |a Art |x Simulation par ordinateur. | |
| 650 | 0 | |a Art and technology. | |
| 650 | 0 | |a Simulation methods. | |
| 650 | 0 | |a Interactive multimedia. | |
| 650 | 0 | |a Visualization. | |
| 650 | 0 | |a Science |x Computer simulation. | |
| 650 | 0 | |a Art |x Computer simulation. | |
| 610 | 2 | 7 | |a Interaktive Medien |2 gnd |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |i Translation of: |a Hinterwaldner, Inge. |t Systemische Bild. | |
| 700 | 1 | |a Tucker, Elizabeth, |e translator. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/56760/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2017 Complete | ||
| 945 | |a Project MUSE - 2017 Film, Theater and Performing Arts | ||