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101112s2008 inu o 00 0 eng d |
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|a 9780253030283
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|z 9780253030092
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|z 9780253352385
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|a (OCoLC)1013724225
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|a MdBmJHUP
|c MdBmJHUP
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|a Almen, Byron,
|d 1968-
|e author.
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|a A Theory of Musical Narrative /
|c Byron Almen.
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|a Bloomington :
|b Indiana University Press,
|c 2008.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2017
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|c ©2008.
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|a 1 online resource (264 pages):
|b music
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Musical meaning and interpretation
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|a A theory of musical narrative. An introduction to narrative analysis : Chopin's prelude in G major, op. 28, no. 3 ; Perspectives and critiques ; A theory of musical narrative : conceptual considerations ; A theory of musical narrative : analytical considerations ; Narrative and topic -- Archetypal narratives and phases. Romance narratives and Micznik's degrees of narrativity ; Tragic narratives : an extended analysis of Schubert, piano sonata in B♭ major, D. 960, first movement ; Ironic narratives : subtypes and phases ; Comic narratives and discursive strategies ; Summary and conclusion.
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|a Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative, a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a diverse range of musical examples illustrating the range and applicability of the theoretical apparatus, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrativeprovides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.
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|a Description based on print version record.
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|a Vertelkunst.
|2 gtt
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|a Interpretatie.
|2 gtt
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|a Muziekwerken.
|2 gtt
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|a Musikästhetik
|2 gnd
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|a Musikalische Semiotik
|2 gnd
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|a Musikphilosophie
|2 gnd
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|a Musical analysis.
|2 fast
|0 (OCoLC)fst01030696
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|a Music theory.
|2 fast
|0 (OCoLC)fst01030620
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|a Music
|x Semiotics.
|2 fast
|0 (OCoLC)fst01030442
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|a Music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01030408
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|a Music and literature.
|2 fast
|0 (OCoLC)fst01030479
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a MUSIC
|x Reference.
|2 bisacsh
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a Theorie musicale.
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650 |
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|a Musique et litterature.
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|a Semiotique et musique.
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|a Analyse musicale.
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650 |
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|a Musique
|x Philosophie et esthetique.
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|a Music theory.
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|a Music and literature.
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|a Music
|x Semiotics.
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|a Musical analysis.
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|a Music
|x Philosophy and aesthetics.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/56592/
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|a Project MUSE - Custom Collection
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|a Project MUSE - 2017 Complete
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945 |
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|a Project MUSE - 2017 Film, Theater and Performing Arts
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