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The Best Laid Plans : Interrogating the Heist Film
| Autor principal: | |
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| Otros Autores: | , , , , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
OnixTransformation. OnixModel. CityOfPublication :
Wayne State University Press,
2017.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page; Copyright; Dedication; Contents; Acknowledgments; Introduction: ... of Heists and Men; 1. The International Heist Film; All for Naught: The American Heist Film in the Fifties; "What Price Glory?": Postwar British Heist Films; The Joy of Burglary: Wealth Relocation Strategies and Other Entertainments in the Postwar French Policier; From Nickel Mines to Plastic Vaginas: The Heist Genre in Canadian Cinema; 2. Gender, Race, and Class in the Heist Film; Men, Women, and the Heist Film; Masculinity, Morality, and Action: Michael Mann and the Heist Movie.
- Hollywood and the Black Stickup: Race and the Meaning of the Heist on the Big White ScreenThe Inevitability of Failure: The Small-Time Criminal and the Heist Film; 3. The Aesthetics and Ideology of the Heist Film; Economic Sentiments in Kubrick's The Killing and Furukawa's Cruel Gun Story; Heists and "Eye-sts": Sense and Sensuality in the Aesthetic Experience of the Heist Film; The Galerie Imaginaire of Steven Soderbergh's Ocean's Trilogy: Modernist Painting in the Contemporary Heist Film; September 11 as Heist; Select Filmography; Works Cited; Contributors; Index.