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20230905045813.0 |
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m o d |
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181027s2017 xx o 00 0 eng d |
| 020 |
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|a 9780814342251
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| 020 |
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|z 0814342256
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| 035 |
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|a (OCoLC)1017608036
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| 040 |
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
1 |
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|a Sloniowski, Jeannette.
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| 245 |
1 |
4 |
|a The Best Laid Plans :
|b Interrogating the Heist Film
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| 264 |
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1 |
|a OnixTransformation. OnixModel. CityOfPublication :
|b Wayne State University Press,
|c 2017.
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2018
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| 264 |
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4 |
|c ©2017.
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| 300 |
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|a 1 online resource.
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
0 |
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|a Contemporary Approaches to Film and Media Series
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| 505 |
0 |
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|a Cover; Title Page; Copyright; Dedication; Contents; Acknowledgments; Introduction: ... of Heists and Men; 1. The International Heist Film; All for Naught: The American Heist Film in the Fifties; "What Price Glory?": Postwar British Heist Films; The Joy of Burglary: Wealth Relocation Strategies and Other Entertainments in the Postwar French Policier; From Nickel Mines to Plastic Vaginas: The Heist Genre in Canadian Cinema; 2. Gender, Race, and Class in the Heist Film; Men, Women, and the Heist Film; Masculinity, Morality, and Action: Michael Mann and the Heist Movie.
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| 505 |
0 |
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|a Hollywood and the Black Stickup: Race and the Meaning of the Heist on the Big White ScreenThe Inevitability of Failure: The Small-Time Criminal and the Heist Film; 3. The Aesthetics and Ideology of the Heist Film; Economic Sentiments in Kubrick's The Killing and Furukawa's Cruel Gun Story; Heists and "Eye-sts": Sense and Sensuality in the Aesthetic Experience of the Heist Film; The Galerie Imaginaire of Steven Soderbergh's Ocean's Trilogy: Modernist Painting in the Contemporary Heist Film; September 11 as Heist; Select Filmography; Works Cited; Contributors; Index.
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| 588 |
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|a Description based on print version record.
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| 650 |
|
7 |
|a Detective and mystery films.
|2 fast
|0 (OCoLC)fst00891450
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| 650 |
|
7 |
|a Crime films.
|2 fast
|0 (OCoLC)fst01750246
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| 650 |
|
7 |
|a Caper films.
|2 fast
|0 (OCoLC)fst00846250
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| 650 |
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6 |
|a Films de detective
|x Histoire et critique.
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| 650 |
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6 |
|a Films de casse
|x Histoire et critique.
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| 650 |
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6 |
|a Films criminels.
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| 650 |
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0 |
|a Detective and mystery films
|x History and criticism.
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| 650 |
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0 |
|a Caper films
|x History and criticism.
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| 650 |
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0 |
|a Crime films.
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 700 |
1 |
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|a Sloniowski, Jeannette.
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| 700 |
1 |
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|a Munby, Jonathan.
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| 700 |
1 |
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|a Henderson, Scott.
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| 700 |
1 |
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|a Palmer, Tim.
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| 700 |
1 |
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|a Carroll, Hamilton.
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| 700 |
1 |
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|a Rayner, Jonathan.
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| 700 |
1 |
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|a Studlar, Gaylyn.
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| 700 |
1 |
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|a Leach, Jim.
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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0 |
|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/56555/
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| 945 |
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2018 Complete
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| 945 |
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|a Project MUSE - 2018 Film, Theater and Performing Arts
|
