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Fugitive Science : Empiricism and Freedom in Early African American Culture /

"This book offers a new history of race and science in the nineteenth century through the lens of early African American literature, visual culture, and performance. Across five chapters, the book traces the experiments of black writers, artists, performers, and largely self-taught scientists w...

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Detalles Bibliográficos
Autor principal: Rusert, Britt (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Rusert, Britt,  |e author. 
245 1 0 |a Fugitive Science :   |b Empiricism and Freedom in Early African American Culture /   |c Britt Rusert. 
264 1 |a New York :  |b New York University Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2017] 
300 |a 1 online resource (320 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a America and the long 19th century 
505 0 |a Introduction -- The Banneker age : Black afterlives of early national science -- Comparative anatomies : re-visions of racial science -- Experiments in freedom : fugitive science in transatlantic performance -- Delany's comet : Blake, or, The huts of America and the science fictions of slavery -- Sarah's cabinet : fugitive science in and beyond the parlor -- Conclusion. 
520 |a "This book offers a new history of race and science in the nineteenth century through the lens of early African American literature, visual culture, and performance. Across five chapters, the book traces the experiments of black writers, artists, performers, and largely self-taught scientists who crafted sophisticated critiques of antebellum racial science and its effects on society. Far from rejecting science, these figures linked natural science to both on-the-ground activism and more speculative forms of worldmaking. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. From the recovery of neglected figures like Robert Benjamin Lewis, Hosea Easton, and Sarah Mapps Douglass, to new accounts of Martin Delany, Henry Box Brown, and Frederick Douglass, the book seeks to make natural science central to how we understand the origins and development of African American literature"--Publisher's description. 
588 |a Description based on print version record. 
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