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Muslim Cool : Race, Religion, and Hip Hop in the United States /

Interviews with young, black Muslims in Chicago explore the complexity of those with identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, "Muslim Cool." Muslim Co...

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Detalles Bibliográficos
Autor principal: Khabeer, Su'ad Abdul, 1978- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2016]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Khabeer, Su'ad Abdul,  |d 1978-  |e author. 
245 1 0 |a Muslim Cool :   |b Race, Religion, and Hip Hop in the United States /   |c Su'ad Abdul Khabeer. 
264 1 |a New York :  |b New York University Press,  |c [2016] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2016] 
300 |a 1 online resource (288 pages):   |b illustrations 
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505 0 |a Introduction -- The loop of Muslim cool : black Islam, hip hop, and knowledge of self -- Policing music and the facts of blackness -- Blackness as a blueprint for the Muslim self -- Cool Muslim dandies : signifyin' race, religion, masculinity, and nation -- The limits of Muslim cool -- Conclusion : #BlackLivesMatter. 
520 |a Interviews with young, black Muslims in Chicago explore the complexity of those with identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, "Muslim Cool." Muslim Cool is a way of being an American Muslim--displayed in ideas, dress, social activism in the'hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic U.S. Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between "Black" and "Muslim." Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are "foreign" to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested--critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States. 
588 |a Description based on print version record. 
650 7 |a Race relations.  |2 fast  |0 (OCoLC)fst01086509 
650 7 |a Muslims  |x Social conditions.  |2 fast  |0 (OCoLC)fst01031070 
650 7 |a African Americans  |x Relations with Muslims.  |2 fast  |0 (OCoLC)fst01941137 
650 7 |a African Americans  |x Race identity.  |2 fast  |0 (OCoLC)fst00799666 
650 7 |a SOCIAL SCIENCE  |x Minority Studies.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Discrimination & Race Relations.  |2 bisacsh 
650 6 |a Hip-hop  |x Aspect social  |z États-Unis. 
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650 0 |a Hip-hop  |x Social aspects  |z United States. 
650 0 |a African American Muslims  |x Social conditions. 
650 0 |a Muslims  |z United States  |x Social conditions. 
650 0 |a African Americans  |x Relations with Muslims. 
650 0 |a African Americans  |x Race identity. 
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945 |a Project MUSE - 2017 American Studies