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Mastering the Marketplace : Popular Literature in Nineteenth-Century France /

Mastering the Marketplaceexamines the origins of modern mass-media culture through developments in the new literary marketplace of nineteenth-century France and how literature itself reveals the broader social and material conditions in which it is produced. Anne O'Neil-Henry examines how Frenc...

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Detalles Bibliográficos
Autor principal: O'Neil-Henry, Anne (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lincoln : University of Nebraska Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Mastering the Marketplace :   |b Popular Literature in Nineteenth-Century France /   |c Anne O'Neil-Henry. 
264 1 |a Lincoln :  |b University of Nebraska Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2017] 
300 |a 1 online resource (276 pages). 
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505 0 |a Introduction -- Popular panoramas -- The de Kock paradox -- The adaptable Eugene Sue -- Balzac, high and low -- Conclusion. 
520 |a Mastering the Marketplaceexamines the origins of modern mass-media culture through developments in the new literary marketplace of nineteenth-century France and how literature itself reveals the broader social and material conditions in which it is produced. Anne O'Neil-Henry examines how French authors of the nineteenth century navigated the growing publishing and marketing industry, as well as the dramatic rise in literacy rates, libraries, reading rooms, literary journals, political newspapers, and the advent of the serial novel. O'Neil-Henry places the work of canonical author Honore de Balzac alongside then-popular writers such as Paul de Kock and Eugene Sue, acknowledging the importance of "low" authors in the wider literary tradition. By reading literary texts alongside associated advertisements, book reviews, publication histories, sales tactics, and promotional tools, O'Neil-Henry presents a nuanced picture of the relationship between "high" and "low" literature, one in which critics and authors alike grappled with the common problem of commercial versus cultural capital. Through new literary readings and original archival research from holdings in the United States and France, O'Neil-Henry revises existing understandings of a crucial moment in the development of industrialized culture. In the process, she discloses links between this formative period and our own, in which mobile electronic devices, internet-based bookstores, and massive publishing conglomerates alter-once again-the way literature is written, sold, and read.--  |c Provided by Publisher. 
588 |a Description based on print version record. 
650 7 |a Literature publishing.  |2 fast  |0 (OCoLC)fst01000111 
650 7 |a French fiction.  |2 fast  |0 (OCoLC)fst00934302 
650 7 |a HISTORY  |z Europe  |z France.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x European  |x French.  |2 bisacsh 
650 6 |a Litterature  |x Édition  |z France  |x Histoire  |y 19e siecle. 
650 6 |a Roman français  |y 19e siecle  |x Histoire et critique. 
650 0 |a Literature publishing  |z France  |x History  |y 19th century. 
650 0 |a French fiction  |y 19th century  |x History and criticism. 
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655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Literature