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Microdramas : Crucibles for Theater and Time /

"In Microdramas, John H. Muse argues that plays shorter than twenty minutes deserve sustained attention, and that brevity should be considered a distinct mode of theatrical practice. Focusing on artists for whom brevity became both a structural principle and a tool to investigate theater itself...

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Detalles Bibliográficos
Autor principal: Muse, John H. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Muse, John H.,  |e author. 
245 1 0 |a Microdramas :   |b Crucibles for Theater and Time /   |c John H. Muse. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©[2017] 
300 |a 1 online resource (246 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Theater: theory/text/performance 
505 0 |a Contents -- Abbreviations -- One. Introduction: Time Pieces -- Two. The Dimensions of the Moment: Short Spaces and the Birth of the Modernist Microdrama -- Three. The Future in the Instant: Futurist Synthesis in Theory and Practice -- Four. The Shape of Time in Beckettâ#x80;#x99;s Late Theater -- Five. Long Shorts: Contemporary Micro-marathons -- Notes -- Bibliography 
520 |a "In Microdramas, John H. Muse argues that plays shorter than twenty minutes deserve sustained attention, and that brevity should be considered a distinct mode of theatrical practice. Focusing on artists for whom brevity became both a structural principle and a tool to investigate theater itself (August Strindberg, Maurice Maeterlinck, F.T. Marinetti, Samuel Beckett, Suzan-Lori Parks, and Caryl Churchill), the book explores four episodes in the history of very short theater, all characterized by the self-conscious embrace of brevity. The story moves from the birth of the modernist microdrama in French little theaters in the 1880s, to the explicit worship of speed in Italian Futurist synthetic theater, to Samuel Beckett's often-misunderstood short plays, and finally to a range of contemporary playwrights whose long compilations of shorts offer a new take on momentary theater. Subjecting short plays to extended scrutiny upends assumptions about brief or minimal art, and about theatrical experience. The book shows that short performances often demand greater attention from audiences than plays that unfold more predictably. Microdramas put pressure on preconceptions about which aspects of theater might be fundamentaland about what might qualify as an event. In the process, they suggest answers to crucial questions about time, spectatorship, and significance"--  |c Provided by publisher 
588 |a Description based on print version record. 
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650 7 |a One-act plays  |x Technique.  |2 fast  |0 (OCoLC)fst01045773 
650 7 |a One-act plays.  |2 fast  |0 (OCoLC)fst01045770 
650 7 |a LITERARY CRITICISM  |x Drama.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Theâtre  |x Production et mise en scene. 
650 6 |a Pieces en un acte  |x Histoire et critique. 
650 0 |a Theater  |x Production and direction. 
650 0 |a One-act plays  |x Technique. 
650 0 |a One-act plays  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2017 Complete 
945 |a Project MUSE - 2017 Film, Theater and Performing Arts