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The Second Digital Turn : Design Beyond Intelligence /

In the early 1990s the design professions were the first to intuit and interpret the new logic of digital design and fabrication. Digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything. In...

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Detalles Bibliográficos
Autor principal: Carpo, Mario (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, MA : The MIT Press, 2017.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Second Digital Turn :   |b Design Beyond Intelligence /   |c Mario Carpo. 
264 1 |a Cambridge, MA :  |b The MIT Press,  |c 2017. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2017 
264 4 |c ©2017. 
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505 0 |a CONTENTS -- ACKNOWLEDGMENTS -- 1 INTRODUCTION -- 2 THE SECOND DIGITAL TURN -- 2.1 Data-Compression Technologies We Donâ#x80;#x99;t Need Anymore -- 2.2 Donâ#x80;#x99;t Sort: Search -- 2.3 The End of Modern Science -- 2.4 The New Science of Form-Searching -- 2.5 Spline Making, or the Conquest of Free Form -- 2.6 From Calculus to Computation: The Rise and Fall of the Curve -- 2.7 Excessive Resolution -- 2.8 The New Frontier of Alienation, and Beyond -- 3 THE END OF THE PROJECTED IMAGE -- 3.1 Verbal to Visual -- 3.2 Visual to Spatial 
505 0 |a 3.3 The Technical and Cognitive Primacy of Flatness in Early Modern Art and Science3.4 The Underdogs: Early Alternatives to Perspectival Projections -- 3.5 The Digital Renaissance of the Third Dimension -- 4 THE PARTICIPATORY TURN THAT NEVER WAS -- 4.1 The New Digital Science of the Many -- 4.2 The Style of Many Hands -- 4.3 Building: Digital Agencies and Their Styles -- 5 ECONOMIES WITHOUT SCALE: TOWARD A NONSTANDARD SOCIETY -- 5.1 Mass Production, Economies of Scale, Standardization -- 5.2 The Rise and Fall of Standard Prices 
505 0 |a 5.3 The Digital Mass-Customization of Social PracticesPOSTFACE: 2016 -- NOTES 
520 8 |a In the early 1990s the design professions were the first to intuit and interpret the new logic of digital design and fabrication. Digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything. In this book, Mario Carpo suggests that the same technical logic, now applied to all kinds of immaterial objects and to commerce at large, is heralding a new society without scale, where bigger markets will not make anything cheaper. he early tools for digital design and production spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and marked architectural design for the last twenty years. But today's digitally intelligent architecture no longer looks that way. Carpo explains that this is because the design professions are now coming to terms with a new generation of digital tools they have adopted -- no longer tools for making but tools for thinking. Today's computation is so powerful and cheap that many data-compression technologies that humanity has carefully developed, nurtured, and honed over time may soon be abandoned.0. 
588 |a Description based on print version record. 
650 7 |a Massenfertigung  |2 gnd 
650 7 |a Künstliche Intelligenz  |2 gnd 
650 7 |a Informationstechnik  |2 gnd 
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650 7 |a Architektur  |2 gnd 
650 7 |a Architecture and technology.  |2 fast  |0 (OCoLC)fst00813591 
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650 7 |a ARCHITECTURE  |x Reference.  |2 bisacsh 
650 7 |a ARCHITECTURE  |x Professional Practice.  |2 bisacsh 
650 7 |a ARCHITECTURE  |x Buildings  |x Landmarks & Monuments.  |2 bisacsh 
650 7 |a ARCHITECTURE  |x Adaptive Reuse & Renovation.  |2 bisacsh 
650 6 |a Architecture et technologie. 
650 0 |a Architecture  |x Computer-aided design. 
650 0 |a Architecture  |x Information technology. 
650 0 |a Architecture and technology. 
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